Konstantin Seliverstov

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Based on Franz Kafka's The Castle. A certain K. appears in a snow-covered godforsaken village as if out of nowhere. All the power in the village belongs to the mysterious Castle that strangers are barred from accessing. K. presents himself to the locals as the Land Surveyor "summoned by the Governor himself." But he is denied work and a place to stay. The only person that doesn't turn her back on him is barmaid Frieda, lover of the powerful official Klamm. K. seeks a meeting with Klamm thinking that is the only way to get something out of the soulless bureaucratic machine. But without realizing it, he soon begins to play by its rules, setting himself up for inevitable defeat.

In an effort to conceal the embezzlement of large sums of money received from the presidential fund, the corrupt and mired in the most low-grade debauchery, the Governor of the City starts a grandiose scam called the "Martian Expedition". The vacancies of voluntary suicides are readily accepted by an artist, director, architect, choreographer and porn star. Meanwhile, the "shadow administration" of the City, consisting of the bosses of the largest gangster groups, is joining the division of the "financial cake"...

During one day in an old St. Petersburg apartment, there gathered a large group of moral and ethical freaks and perverts. However, these "thugs" had kind, bright souls...

As the revolutionary democrats begin to rise in Russia, different ideologies begin to collide. Dostoyevsky casts a critical eye on both the radical idealists, portraying their ideas and ideological foundation as demonic, and the conservative establishment's ineptitude in dealing with those ideas and their social consequences.

Through a series of misadventures, the impoverished Rodolphe, Marcel, and Schaunard come to live, find love, and make art together in a small Moscow apartment.

The heroes of the film - artist, director, architect, choreographer and porn star - tell numerous stories about their sexual exploits. A bizarre synthesis of Decameron, Lolita and The Adventures of Baron Munchausen.

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New adventures of the sexy giants — artist Zelkin, ballet master Tyminsky, architect Palachev, director Konstantin, and showman Vasily Chernoy.

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St. Petersburg banter on the topic of Mozart’s stay in present-day St. Petersburg. Mozart loved Salieri very much. Together they messed around in a tavern. However, Mozart never drank with Salieri - he offered his glass to one of his friends. Friends were very unhappy...

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Diyor who is eleven years old, lives in the little town with his mother. Life lost it's meaning for him. After his father's death, he is having nightmares all the time. He is not able to go back to normal life. The past again overtakes him, when he once, lost in the woods, meets his dead father.

The film is a collage of videos shot in Russia and posted online after the start of the Russian aggression against Ukraine. The people captured in these clips could easily have stepped out of the paintings of Hieronymus Bosch.

A film about the life and fate of a real Russian patriot. All his thoughts, dreams and hopes are inextricably linked with the greatness of the Fatherland. However, over time, cognitive dissonance suddenly penetrates into his consciousness, which did not know reproaches and doubts. Finding himself in a severe existential crisis, the hero of the film paradoxically and contradictory rethinks the concept of patriotism.

Ten women frankly tell that they had to go through lives. Trusting, they talk about love, passion, despair, sadness, hope. They open the most secret corners of the soul, trying to get rid of memories, phantoms, peering with a secret feeling at the interlocutor on the other side of the screen.

The film with hooligan humor and serious sarcasm offers viewers to reflect on eternal, timeless values.

For more than four centuries, the history of Romeo and Juliet has been considered an example of a romantic relationship between a man and a woman. However, William Shakespeare modestly kept silent about what kind of drama (and, possibly, tragicomedy) might have turned the relations of the heroes, if not for the finale, which is well known to us. The film of Konstantin Seliverstov on the basis of documentary stories offers several possible options for the continuation of the classic plot.