Muffie Dunn

This 54-minute documentary traces the writer James Salter's lifelong love affair with France, unforgettably expressed in his 1967 masterpiece, A Sport and a Pastime. Salter's own reflections on his writing and life offer rich insights for reader and writer alike.

Explorations in 21st Century American Architecture Series: Ray Kappe has long been a cult figure in the architectural scene in and around Los Angeles. In 1972, he founded the influential, avant garde Southern California Institute of Architecture (SCI-ARC), where many of the younger-generation architects have studied or taught.

We are in the midst of production on a one-hour film on seminal art historian John Richardson, and his work on the fourth and final volume of his biography on Picasso. Richardson shares his insights and observations on Picasso, whom he first met in the 1950s, with Shelley Wanger, his editor at Alfred A. Knopf (a division of Random House, Inc.).

Diller Scofidio + Renfro has long been at the forefront of design with provocative exhibitions that blurred the boundaries between art and architecture. This film captures their extraordinary evolution and unique process in reimagining the public identities of Lincoln Center and the once derelict High Line railroad tracks.

French architect Jean Nouvel has long been known in Europe for his bold, shimmering glass museums, concert halls, and high-rise towers. Now the much-acclaimed new Guthrie Theater in Minneapolis, Minnesota, which opened in 2006, is displaying Nouvel's remarkable talents to an American public. With a cantilevered lobby that extends 175 feet over the Mississippi River, the dark midnight-blue, aluminum-paneled structure has captivated the culturally conscious city and helped spur the rejuvenation of a once-industrial waterfront. In the tour, Nouvel takes us through three distinctive theaters he designed for the Guthrie, and out onto the cantilevered deck to view the legendary river that inspired the boldly elevated design.

In 2004 Checkerboard had the privilege of filming Carrie Mae Weems discussing her body of work, comprised of 17 projects spanning more than two decades (1981-2004). This dynamic presentation was accompanied by slides of the artist's photographs and excerpts from her video art. The result is a chaptered lecture guided by Weems's seductive voice and passionate presence. The viewer is transported into her world as she details what she is trying to uncover, illuminate, investigate and provoke through her lens.