Rob du Mée

Rick Lemming (Rijk de Goyer) lives in the heart of Amsterdam, where he holds a dovecote and a saloon with slot machines. His best friend Ed Svaan, the champion of karate in the Netherlands, is deeply in love with singer Lily (Sylvia Christelle). With the help of Ed, Lilly concludes a contract with a television director who assures everyone that he will make a high-profile film. Rijk wants to check where his boyfriend and girlfriend are being drawn in and secretly watches the shootings. In fact, a pornographic film is being shot.

Burgler and master safe-cracker Glimmie is asked to find a young woman called Fanny by her rich stepfather Van Borsen. However, Glimmie remains suspicious of the man and decides that Fanny has to be protected by him and his pal 'De Bonk'. He is soon proved correct and winds up a scapegoat in Van Borsen's scheme. After his release from prison, Glimmie plans his revenge with some help from a young cleaning girl called Slofje.

A successful young writer is in search of his true destiny. Is it the life with his wife and typewriter in Amsterdam or the offers to go to the dreamworld of the Italian film city Cinecittà which is luring him? Trying to find this out he goes into retreat in the house of a befriended gay couple in the south of France.

After her mother -- a prostitute -- is murdered by her father, Sien is raised by her grandparents. Instead of a bourgeois life with grocer's son Gerrit van Buren, she chooses for an adventurous life with toutman Jan Meier. She follows him and becomes a revue artist in an Amsterdam cabaret, until her father comes to see her...

In this debut comedy by director Erik Terpstra, an ordinary middle-class gentleman picks up a colorful but degenerate and no-good beatnik/hippie hitchhiker and inexplicably invites him home to meet the wife and kids. The resulting conflicts between the hitchhiker, who respects no rules or boundaries, and the family, provide the substance for most of the humor in this sincere but not especially well-thought-out film. Reviewers who saw the film at the 1967 Mannheim Film Festival expressed the opinion that it was an unformed work by a promising talent.

A woman disguises herself as a man to avoid prosecution for murdering her lover fifteen years ago. She is the last living member of a wealthy Vienna family, and has spent the years after the murder traveling Europe with her female servant. Her travels provide her with an anonymous cloak that allows her freedom of movement but little peace of mind. Nearing middle age, the guilt and weariness of an empty life has her contemplating suicide as the only way out of her dilemma.

Documentary that looks back at 35 years of Dutch cinema, with Paul Verhoeven and others.

Tim, now a respectable family man, runs into his old buddy Bodde. Bodde convinces Tim to go out with him under the motto: "Laugh, laugh, laugh!" Tim calls his wife to tell her "he'll be a little late," while Bodde keeps persuading him to stay with him for a new deal or a wonderful plan, and so they roam the country. Along the way, they swindle money from everyone and meet the young, beautiful Aafke. Isn't Tim too old for all this?

A young artist becomes transfixed by two identical women who are two halves of the same person.

Seven authors observe people in a park. A sudden rain shower forces the people into a castle, where they ravage the present books. A wordless short made for the 1965 Boekenweek, an annual event in the Netherlands to promote (Dutch) literature.

ZERO IN THE UNIVERSE is a comedy, a cryptogram–a message in code to the viewer. Who is Zero? What universe? What is the opposition of Zero and his arch enemy, Steinmetz? What does it come from, and where, if anywhere, does it go. The film presents abundant clues, but the answers are never stated. –J. L.

A man is under the illusion he is a wanted war criminal.

After being chased from her uncle's home by her scolding aunt, the young Mariken wanders outside of town and encounters Moenen, the devil disguised as a one-eyed, itinerant scholar, who offers to teach her magic and the seven liberal arts in return for her submission.

Portrait from 1964 of the editors of the film magazine Skoop, founded in 1963. Portrait from 1964 of the editors of the film magazine Skoop, founded in 1963. Pim de la Parra, Wim Verstappen, Rob du Mée, Nicolai van der Heyde, Rein Bloem, and Gied Jaspars give their opinion on Dutch film and how Skoop aims to improve the Dutch film climate. Joris Ivens also speaks, applauding the initiative of the young filmmakers/editors.

A group of expatriates living in Holland turn to sex, dope and music to augment their daily routines. One comes to resent a couple who becomes part of the exclusive social elite. An American actor muses over his draft notice, and he becomes jealous when a beautiful model he covets takes up with a radical writer.