Harry Chambarry

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

A drama about a multi-generational family of cops dedicated to New York City law enforcement. Frank Reagan is the New York Police Commissioner and heads both the police force and the Reagan brood. He runs his department as diplomatically as he runs his family, even when dealing with the politics that plagued his unapologetically bold father, Henry, during his stint as Chief.

Two young New Yorkers begin to fall in love over the course of a single day, as a series of potentially life-altering meetings loom over their heads - hers concerning her family’s deportation to Jamaica, and his concerning an education at Dartmouth.

Detective DiBiasse (Eric Roberts) goes to his last crime scene at the Mansion of a wealthy, paranoid recluse named Alan Schaeffer (Dylan Walsh). He brings with him a new detective and starts explaining the strange story of Alan Schaeffer. A man who recently insisted that one of his creations was coming to kill him, but had no evidence to back up his claim. Surrounded by security that reportedly sees nothing, nobody can help Alan Schaeffer and so the police moved on. Now the Detective is back at this mansion with a horrible, brutal crime scene and no suspect in sight.

Harry, an American actor, travels to Rosario, Argentina in search of some iconic filmmaker. Harry hopes to be directed by the filmmaker's latest independent film. The director is nowhere to be found. This leads to mistaken identities, mixed up situations, characters and misunderstandings, leading Harry into a Kafkaesque, no-win situation as he gets lost in Rosario.

The oldest son in an orthodox Jewish family is living at home (in Brooklyn) with his parents and younger brothers. He's being pressured by his parents to marry the girl they have chosen, (the daughter of a rabbi). But he is coming to the realization that he is gay. When he becomes reacquainted with a school hood friend that has moved into Greenwich Village and come out (at least to himself), our hero begins to come out to himself as well.

Bink, the bartender, just wants to close shop and get home to his girl, but when an armed bounty hunter shows up, Bink becomes locked in a tense psychological game of cat and mouse and is forced to utilize his lethal powers.