Jelena Simić

A young journalist Bosko, along with his girlfriend Jelena and best friend Milenko, gets caught up in a conspiracy to obtain a notebook which records unexplained paranormal events.

Paul Exben is a success story – partner in one of Paris's most exclusive law firms, big salary, big house, glamorous wife and two sons straight out of a Gap catalog. But when he finds out that Sarah, his wife, is cheating on him with Greg Kremer, a local photographer, a rush of blood provokes Paul into a fatal error.

During the 1990s, Beli was a part of an elite paramility unit known as The Lions, that performed acts of terror and ethnic cleansings on the civilian non-Serbian and non-Montenegrin populus in Bosnia. Decades later, his deeds catch up to him after a video of a an execution he recorded is mysteriously uploaded to YouTube, garnering the attention of Interpol and the Hague. Furious and scared for his life, he murders a wealthy Scandinavian businessman and his wife, kidnaps his younger brother and takes them to a small town on the Montenegrin coastline where he holds an old comrade of his hostage, threatening to murder his daughter if he doesn't comply to forging his documents. However, things soon complicate after Beli's brother falls in love with the woman whose life now stands on the line.

Maksim is a retired music professor, a widower, nice, a bit shy, but a good and lonely man. Milena is a retired teacher, a widow, somewhat strict, but with a sense of humor - and also lonely. The two have been coming every week for years to the city cemetery, if it doesn't rain. They don't know each other and never have met, even though they are neighbors, so to speak.

It has been five years since Nina's daughter went missing and only during the cigarette breaks do we get to follow her hunt for the perpetrator as she returns to Montenegro for one last time. A revenge told in 20 cigarettes.

Spring 2020. The coronavirus pandemic has broken out. Theaters have stopped working. Rehearsals of plays have been suspended. Silence, emptiness, ominous silence. Nevertheless, director Ana receives an offer to dramatize and direct “The Goalkeeper's Fear of Penalties”, a masterpiece by Peter Handke. It is a great challenge and a chance to jumpstart her stalled career. The problem is that the creative process emotionally inhibits her and blocks her sexuality, but with the persuasion of her best friend Sanja – Ana nevertheless embarks on the creative process. The director is faced with typical theatrical folklore.

Petar is a retired detective and all he has left is his daughter Iskra. His pensioner's days are interrupted when Iskra disappears. The pursuit to find Iskra begins and the investigation takes Petar back to his past.

A film of the state of mind, great reflections and even greater decisions made in a little village shaped by the long-standing customs and tradition. The story follows the life of a husband and wife, Drago and Persa, who lost their son ten years ago. Their plan of fake death and staged funeral will take their son's murderer back to the village after a decade of hiding in fear of revenge. Drago, hidden in the mill with the help of his wife, plans to take the final revenge, but the solitude of several months has changed his, up until then, firm decision. Is it desire for revenge stronger than desire for life? Is it possible to forgive and close the cycle?

The film "Love, Scars" consists of four separate stories about couples who are at the center of a whirlwind of complicated love situations.