Tina Fabrique

In the criminal justice system, sexually-based offenses are considered especially heinous. In New York City, the dedicated detectives who investigate these vicious felonies are members of an elite squad known as the Special Victims Unit. These are their stories.

The third installment of the “Law & Order” franchise takes viewers deep into the minds of its criminals while following the intense psychological approaches the Major Case Squad uses to solve its crimes.

John Reese, former CIA paramilitary operative, is presumed dead and teams up with reclusive billionaire Finch to prevent violent crimes in New York City by initiating their own type of justice. With the special training that Reese has had in Covert Operations and Finch's genius software inventing mind, the two are a perfect match for the job that they have to complete. With the help of surveillance equipment, they work "outside the law" and get the right criminal behind bars. 

The new medical director breaks the rules to heal the system at America's oldest public hospital. Max Goodwin sets out to tear up the bureaucracy and provide exceptional care, but the doctors and staff are not so sure he can succeed. They've heard this before. Not taking "no" for an answer, Dr. Goodwin's instinctive response to problems large and small is four simple words: "How can I help?" He has to disrupt the status quo and prove he'll stop at nothing to breathe new life into this underfunded and underappreciated hospital, returning it to the glory that put it on the map.

Robyn McCall, an enigmatic former CIA operative with a mysterious background, uses her extensive skills to help those with nowhere else to turn.

An ex-felon is shocked to see just how much the world has changed when he is released from prison for good behavior after a 15-year stint and returns to his newly gentrified Brooklyn neighborhood.

Empty nest divorcée Eve Fletcher reinvents her life to find the happiness and sexual fulfillment that’s eluded her, and her college freshman son Brendan.

At a birthday party in 1968 New York, a surprise guest and a drunken game leave seven gay friends reckoning with unspoken feelings and buried truths.

Two seconds into the bubbling synth sounds of its theme song will have a child of the 1980s or ‘90s exclaiming “Reading Rainbow!” Such is the beloved and ubiquitous nature of the classic children’s literary television show that introduced millions of kids to the wonder and importance of books. Not only did the series insist on having kids speak to kids about their favorite stories, but Reading Rainbow introduced the world to one of the most adored television hosts of all time in LeVar Burton. Thanks to his direct, non-patronizing and, most importantly, kind delivery, Burton became a conduit to learning for children of every background—an entrancing guide to subjects unknown.

At a small New York theatre, an ageing magician comes up with a devilish plan to save his piece of old New York by invoking some real black magic. Harsh realities and fantastic illusions come together in BLACK MAGIC FOR WHITE BOYS, Onur Tukel’s latest film, a bizarre comic adventure about gentrification, race and bodily autonomy in New York City. With over 50 minutes of new footage, Tukel has completely reworked a project initially presented in 2017 as a four-episode series at Tribeca into a gnarly and charmingly weird dark comedy. Balancing edgy misanthropy with a strain of silly sweetness, this is an intimate low-budget parable about the changing face of New York City.

Animated adaptation of Virginia Lee Burton's children's book.

An out of work, fantasy-prone film preservationist finds the only print of a sought-after animated film that a corporate assassin has been sent to destroy.