Teta Maia

Cruel and brave Brazilian outlaw called Corisco, living in the backcountry in the Northeast, an arid region, rapes 12-year-old Dadá, who becomes his woman, following him and his gang. Although they were supposed to fight against social injustice, they terrorized the small villages along their way.

The raft man Manuel Jacaré was swallowed by the sea when Orson Welles was filming It's All True in 1942. The fact evokes memories of the dictatorship of the Estado Novo, of World War II, of Ceará fishermen's struggle for labor rights and housing in their traditional space - target of real estate speculation.

When bandits take the town of Sertânia, Antão gets shot, arrested, and left to die. Bleeding out, Antão's delirious mind begins to recall the events that led up to the incident through a sequence of increasingly unreliable fever dreams.

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The elderly Perpetua, feeling the approach of death, decides to prepare Zeca, her beloved grandson, to the inevitable. She tells him the story of a king and a queen, a wealthy and powerful couple who lost their only child but wishes to bring him back to life. Meanwhile, Damião e Josefa work hard to support their family and to prepare their daughter Fátima's wedding. At the end, the tale told by Perpétua and the destiny of that family will cross.

The sertão is everywhere, the sertão is within us. The concrete advances against Dona Maria, but she moves forward, calmly in the world.

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Cosme and Maria, with their son Benedito and nephews Matheuzinho and Bruna, jump into a somewhat untrustworthy Jeep to go on a journey from the coastline to Barbalha city, where they plan to attend a special feast that they've always longed to take part in. All along the way, the trip is full of discoveries of landscapes and histories. The three children feel the enchantment of this unforgettable family adventure, and realize that they will always be great friends.

Aroeiras is a fictional city in the northeastern interior of Brazil where Genésio lives. Old, widowed, retired and childless, he fills his loneliness drinking and dreaming of the nostalgic heroism of cangaceiros (northeastern outlaws) and the love of Rosália. His friend Baltazar, a peasant leader, does not believe in myths of the past. He believes that organized political struggle is the only possible way to change things and he is looking for new ways to fight the powerful.

The story of a portraitist of northeastern Brazil and how his art resists time.

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