Jan Hraběta

Set in Czechoslovakia, the drama follows the lives of its characters against the backdrop of real historical events that shape their personal stories. To evoke period atmosphere, the series intersperses authentic clips from vintage Czechoslovak film newsreels, using their original commentaries or newly recorded historical voice-overs by Vladimír Fišer. A narrator, initially voiced by Vojtěch Kotek and later by Matěj Hádek, provides continuity and reflection, guiding viewers through changing times. Under the guidance of screenwriter Rudolf Merkner, each episode’s script weaves family and individual dramas into key moments of Czech and Slovak history: political shifts, cultural trends, and social transformations from the 1960s onward.

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The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

Policajti z předměstí is a Czech television comedy series which premiered on TV Nova. In 1999, 21 episodes were aired.

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During the change of functions in the Fortuna medical ceramics company, Bohouš Fisher, an independent clerk, became deputy director of the company against his will. As a result, he is forced to make even greater compromises than before. He takes part in unnecessary meetings for which he has to raise money from company funds because of his position, or he jocularly solves a "work" accident of two employees who were engaged in love games instead of work. It's not much better in his private life. He would like to do some meaningful work, like building a stove.

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A directors autobiography about his debut during the rise of socialism.

In this movie, TV sets are full of life. If a person is in TV (e.g. because it was filmed on the street) it has a double that's right in the TV set. This double needs energy from the true character to survive. Each time, the real human watches TV, his Double will pull life energy from him. So there's a mysterious Death-serial. Many persons die in front of their TV set and nobody knows why. Olda, the main character, is one of the persons, that get more and more weak. He is near death, till Fisarek, the natural healer appears. He teaches Olda how he can resist this magic force and how he can fight it.

The time is 1945-46. 10 year old Eda and his friend Tonda live in a small village outside Prague. In school, their class is so wild and indisciplined that their teacher quits and is replaced by the militant Igor Hnidzo. He is very strict – but also very fair. His weakness though, is his interest in young women.

Prince Victor looks in vain for a swan which was wounded by one of his servants. Instead he discovers a beautiful girl with golden hair who has an arrow in her shoulder. She is dumb and can't explain her origin. He falls immediately for her. The girl quickly recovers, but disappears mysteriously.

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Francin, manager of a small-town brewery, has a charming wife whose abundant blonde locks are an adornment to the town. Maryska looks ethereal but loves meat and beer, while Francin is an ascetic. The strict members of the brewery board of directors come to audit the accounts, but are diverted from concentrating on Francin's detailed reports by Maryska, who has organized a pig-killing feast and is ably assisting the butcher. When she invites the old curmudgeons on the board to enjoy the fresh pork, they are too happy to agree. Francin doesn't know whether he is going to get a permanent contract. To make things worse his brother Pepin - eccentric, noisy and garrulous - turns up on an indefinite visit.

Viktor Průcha, a successful small-town architect, lives well but knows his comfort rests on compromises. When an elderly man—whose granddaughter was hurt at a school Viktor approved beside a busy road—attacks him and then takes his own life, Viktor abandons his home for a rural studio. There he rediscovers nude photography; his acclaimed exhibition forces him to confront past concessions and choose his future.

Mr Jiš managed to give his first script at Barrandov. Already in the preparatory phase, he discovers with horror that the filmmakers have completely bypassed his intention - instead of a probe into the life of a contemporary village, they are preparing a spectacular musical show, which they are convinced will be a hit with the audience. The very first shots speak volumes. An elegiac arrives in the village of Lipovec and is greeted with singing and dancing by all the local officials and ordinary citizens, as this coveted expert is to help them increase their hectare yields with his progressive methods. The filming continues in a similar vein, and the newly minted screenwriter can't help but wonder...

Oligophrenic Fany (Bohdalová) lives with her aunt who suddenly manages to travel abroad. Fany has to move to her sister (Jirásková). Two very different women, one mentally disabled and the second one intelligent doctor has to live together and learn from each other about tolerance, loneliness, life and why call dogs "Mister".