Lizzie Borden

Jake takes out an ad in the newspaper after the suicide of his unfaithful fiancée, in an effort to understand the reasons for the betrayal. By soliciting the secret diaries of other women, he hopes to find some reconciliation with the truth.

Monsters is a syndicated horror anthology series which originally ran from 1988 to 1991 and reran on the Sci-Fi Channel during the 1990s. Similarly to Tales from the Darkside, Monsters shared the same producer, and in some ways succeeded the show. It differed in some respects nonetheless. While Tales sometimes dabbled in stories of science fiction and fantasy, this series was more strictly horror. As the name implies, each episode features a different monster, from the animatronic puppet of a fictional children's television program to mutated, weapon-wielding lab rats.

A lesbian college graduate, trying to bankroll her own photography business, works as a high-priced New York City escort.

An Atlanta prosecutor sets her own trap for a sex offender who poses as a famous photographer.

The sexual fantasies of women are explored by four female directors.

In the years before Ronald Reagan took office, Manhattan was in ruins. But true art has never come from comfort, and it was precisely those dire circumstances that inspired artists like Jim Jarmusch, Lizzy Borden, and Amos Poe to produce some of their best works. Taking their cues from punk rock and new wave music, these young maverick filmmakers confronted viewers with a stark reality that stood in powerful contrast to the escapist product being churned out by Hollywood.

Softcore anthology film containing stories: "Brush Strokes"; "Shrink Rap"; "Doubletalk"; "The Leda"; "My Secret Moments"; "Life Is For The Taking"; "The Diaries"; "Love The One You're With"; and "My Better Half".

In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.

Documentary about women in the film industry. Numerous notable actresses and female directors share their thoughts.

“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.

A group of misfits sets out from Los Angeles for a destination they never arrive at.

In this experimental film, Borden explores the dynamics among the members of a woman’s group. As she interviews people who know them, such as Joan Jonas, the group shoots ‘artistic’ scenes of themselves – but Borden feels they aren’t fully grappling with issues of sexuality and politics. Are they a serious group – or just friends? After showing an early edit of the film to the group, its members, upset, close ranks. Undeterred, Borden incorporates the group’s arguments into another edit, filming larger groups commenting both on the original one and on consciousness-raising groups in general. Uncredited voices include those of Barbara Kruger and Kathryn Bigelow.

Over three silent sequences, the short film shows moments of sustained, internal tension just before an emotional outburst on the part of the protagonists.