Deane H. Dickason
Directing
Known For
This narration-driven travelogue begins with scenes of Manila Bay and the city's harbor. From there, it visits Fort Santiago, watches the delivery of an orphaned baby to Hospicio De San Jose, and explores other parts of the city, as the narration waxes condescending about the various aspects of Philippine life.
Castilian Memories: Manila
An Edgar A. Guest Poetic Gem. Al Shayne sings the Loesser & Hersher song Don't Grow Any Older.
Couldn't Live Without You
An Edgar A. Guest Poetic Gem featuring the song Down the Lane to Yesterday with a vocal by Al Shayne.
Boyhood
An Edgar A. Guest Poetic Gem featuring vocals by Al Shayne.
Bill and I Went Fishing
On the Indonesian island of Bali, two young native women are shown how they spend their days leading up to their wedding ceremonies.
Virgins of Bali
Based on the Edgar A. Guest poem of the same name, this is photographic ode to the American South, featuring representative scenery. Mendelsohn's "Spring Song" is the musical theme throughout, and Al Shayne sings an original song based on Guest's poem.
Early in the Mornin'
Another entry in the Edgar A. Guest's Poetic Gems Series.
After the Storm
A poetic Gem from Edgar A. Guest. This film features Al Shayne singing A Real True Pal by Frank Loesser and Lou Herscher.
The Scout Master
An Edgar A. Guest Poetic Gem featuring vocalist Al Shayne. This film features the original song Back Seat Drivers by Loesser & Herscher.
Ma and the Auto
An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.
The Old Prospector Talks
A tour of the ancient Cambodian temples of Angkor Wat and Bayon
Jungle Bound
A Romantic Port O'Call.
The Seventh Wonder Panama
This short film “Children of the Nile” is part of the Port O’Call series produced by Deane H. Dickason and presented by William Pizor; these consisted of short films featuring foreign countries and exotic places. This film focuses on life and customs of Egyptians living in Kerdasa, Egypt which is less than a mile away from the Sahara Desert and close to the Pyramids of Giza. It was filmed in 1934, when Egypt was occupied by the British, and thus the film reflects colonialist views and stereotypes present at that time.