Bryan Hands

Lee is a childish northerner who lives in a fancy penthouse apartment in London who goes through a variety of jobs such as a janitor and ice cream man, as well as attempting relationships with female flatmates. His best mate, Daily Mail reading, middle-class citizen Tim is always there to stop Lee from getting in trouble, or not? Mayhem is never far away with cleaner Barbara who has never done an honest day's work in her life.

In Imperial Russia, Anna, wife of the officer Karenin, goes to Moscow to visit her brother. On the way, she meets charming cavalry officer Vronsky, to whom she's immediately attracted. But in St. Petersburg’s high society, a relationship like this could destroy a woman’s reputation.

Scientist Doctor Who accidentally activates his new invention, the Tardis, a time machine disguised as a police telephone box. Who, his two granddaughters Barbara and Susan, and Barbara's boyfriend Ian are transported through time and space to the planet Skaro, where a peaceful race of Thals are under threat of nuclear attack from the planet's other inhabitants: the robotic mutant Daleks.

Eva is in her mid-50s and is stuck in a rut. Her marriage has lost all passion and she begins to write reviews for a sex toy start-up hoping the extra cash will fund a holiday that could rekindle the spark.

Two friends who fake bigfoot sightings in The Lake District cause panic in a small town in Cumbria.

coming soon...

Released as part of Dying Matters Awareness Week 2012, the short film was created to act as a stimulus for changing the way the nation thinks about death. Featuring five separate scenarios, the film examines what can happen if you fail to make your wishes known.

Some time after her death, film director Jill Craigie (1911- 99), re-opens an old suitcase, prompting memories of the extraordinary life and loves of this forceful, charismatic woman, whose work has been long neglected. Craigie was one of the first women to direct documentaries. Working outside the British Documentary Movement in the 1940s and early 1950s, her films such as To Be Woman (1951), on equal pay, and Out of Chaos (1944), the first film about artists at work, featuring Henry Moore and Paul Nash, tackled new subjects for the cinema through a unique blend of drama, polemic and humour. Independent Miss Craigie uses the director’s unseen papers, and her films, to reveal her energetic struggles to get her radical projects made and distributed, including her last one, on the Yugoslav conflict, made when she was 83, with her husband, former Labour leader, Michael Foot.