Gülsah Dogan

On the outskirts of Den Helder lies De Nollen, an inland dune area where nature, sculpture, and painting merge into a truly immersive experience. It is the life's work of artist Rudi van de Wint. He died unexpectedly in 2006. His sons, Ruud and Gijs, carried on his dream, out of love for their father and for De Nollen. But plans for a Rudi van de Wint museum in the area led to cracks in their idyllic existence.

Around the tub, people washed, rested, had fun, made love, and committed suicide. While one group used the tub, the other group were machines, enslaved to fill it.

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Naziha is a 45-year-old woman of Moroccan descent and the mother of 10 children. She’s been without a partner since throwing out her violent husband. In 2007, she was in the news when her teenage sons were causing serious trouble. In perfect Dutch she tells the story of how as a young girl she was married off to a man 30 years her senior, and of how he turned her household into a “terrorist training camp.” She speaks bitterly about this dark period, which had led to her sons’ criminal behavior. She wants her story to break the taboo on getting help. “There’s still so much shame”, she says about her mostly Moroccan neighbors. When it emerges that one of Naziha’s sons was involved in the death of a soccer referee, the normal quiet life she dreams of looks further away than ever. This is the story of an articulate, modern woman who, despite the burden of her youth and continual problems with her children, is tireless in her struggle for better life.