François Lamotte

1915, WWI. French Private Gabriel is presumed dead. Selected for a top-secret program, he’s given a serum that makes him stronger and faster. To see his family again, he must join the Sentinels, elite soldiers on a mission to end the war.

On holiday in the south of France, chic Parisian sophisticate Violette meets life-loving IT geek Jean-René. Against all odds, there’s a real chemistry between them and at the end of the summer, Jean-René wastes no time in joining his beloved in Paris. But there’s trouble in paradise, and a third party swiftly appears to shatter the couple’s idyll: Lolo, Violette’s ultra-possessive 19-year-old son, who is determined to get rid of his mother’s lover, whatever it takes…

After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.

Marion and Ben, thirty years old, meet on Tinder. That's about all they have in common; but the opposites attract each other, and they decide in the early morning of their meeting to go on vacation together despite the advice of their entourage. They will finally leave - to Bulgaria, halfway to their dream destinations: Beirut for Marion, Biarritz for Ben. Without a precise plan and, as they will soon discover, with very different conceptions of what a dream holiday should be.

France, the year 2041, a pair of twin trained astronauts go through a lot when one of them is contaminated with a mysterious residue from space.

A young man who has just committed a hold-up finds refuge in an old house.

Lettre à un amant is the final chapter of Paradis’ video trilogy. It deals with a couple's break-up. It is both a letter and a reflection, and it concerns giving of one's self, sharing and exchanging. It is also a response to the other person's flight, the absence, the void. The images attempt to replace the fear and silence. A need sublimated in the exacerbation of pleasure conveyed by images and sounds, Lettre à un amant is a masterful conclusion to the series. At the same time, it poses several questions about the dichotomous love-image paradox present in love. This work also refers to an earlier work by Marc Paradis, La Cage, because of its erotic homosexual content and its many electronic applications. Richard Anger's original score was composed to emphasize the dramatic aspect while several processes proper to the video medium serve to peg the images in an aesthetic approach.