Tati Quebra-Barraco

A Fazenda is the current Brazilian version of the The Farm reality television show based on the Swedish television series of the same name that was originally created in 2001 by Strix and produced in association with Sony Entertainment and Endemol. The show is based on a group of celebrities living together twenty-four hours a day in a Farm, isolated from the outside world while having all their steps followed by cameras around-the-clock, with no privacy for three months. The contestants compete for the chance to win the grand prize by avoiding weekly eviction, until the last celebrity remains at the end of the season that can claim the grand prize. The show is presented by news reporter Britto Junior alongside actress Chris Couto and directed by Rodrigo Carelli. Record's website and a Record-owned pay-per-view channel offer round-the-clock coverage.

After having her life course changed by a fake image and losing her childhood sweetheart to greed and power, Brisa, a strong woman, will struggle to rebuild her journey, raise her son, rediscover true love, and discover the truth about her origin.

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Five young funk singers were chosen to become the new stars of Brazilian music. Guided by a Rio icon, Tati Quebra Barraco, the artists live in a luxurious penthouse in Copacababa, with a unique purpose for Rio de Janeiro funk: have five women sharing the stage in an unforgettable show.

A documentary about sex based on the world of funk, the most powerful and popular musical genre in Brazil. Without moralizing, the film reveals how, through the body, dance, lyrics, and experiences of its artists, funk expresses resistance, desire, pleasure, and personal affirmation. Combining footage of dances, bodies in motion, key figures from this universe, everyday scenes, and a beat that makes everyone move, the film celebrates funk as a vital and cultural force in the Brazilian periphery.

Documentary about the musical and social phenomenon of Brazilian funk (or Carioca Funk), a style derived from Miami Bass, based on repetitive bass drum loops and lyrics full of sexual and violent overtones, not directly related to American funk/soul music. This style emerged in the slums and poor neighborhoods of Rio de Janeiro, and is deeply associated with the lower social classes, but is gradually being accepted on higher social circles. The film is specially interested in women's participation, focusing on its major female stars.