Bohumil Heš

The rise and inevitable fall of an amoral but naive young woman whose insouciant eroticism inspires lust and violence in those around her.

Eva has just gotten married to an older gentleman, but discovers that he is obsessed with order in his life and doesn't have much room for passion. She becomes despondent and leaves him, returning to her father's house. One day while bathing in the lake, she meets a young man and they fall in love. The husband has become grief stricken at the loss of his young bride, and fate brings him together with the young lover that has taken Eva from him.

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A series of unfortunate events led the protagonist astray: even taking other people's money did not save his wife's life, she died in childbirth. After his release from prison, he did not find the strength to report to his daughter who was placed in an orphanage, and after a fight in a pub, out of fear of being prosecuted again, he even fled abroad. But, old and sick, he still longs to return to his homeland.

A lost lady's glove that connects several human destinies. The focus here is not on the lost part of the wardrobe, but on piano virtuoso Arne Brant, a man armed with a charming smile and surrounded by women, two of whom have particularly influenced his life. The first is the daughter of a famous can-can star, dancer Pavlína Doré-Zejdová, the second is Mařenka Berková, the main character of the film and a kind of Kristián in skirts. An orderly and well-bred daughter from an honorable family who lives her second life as a lady of high society. The lost glove complicates the situation for all of them considerably, but in the end she finds her rightful place, just like the heroes of the film...

The factory owner Hložek is in a constant dispute with his son Jiří. Jiří wants to modernize the factory, but his father is afraid that the new machines will deprive the workers of their jobs. News of the factory modernization divides the employees into two hostile camps. To prevent unrest, Hložek offers his son money from his mother's inheritance in exchange for his departure. Jiří's biggest opponents include two older employees of the company - the correspondent Málek and the accountant Mazara...

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Czechoslovak historical film about Saint Wenceslas. It was the most expensive Czech film to date, with the largest set constructed in Europe to accommodate an all-star cast of over a hundred, together with 1,000 extras for the lavish battle scenes.

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The orphan Eliška Irovská, nicknamed Líza, arrives in her native village of Ptačice. As an orphan she is housed in the local poorhouse and has to go out begging. Her guardian Petr Tumlíř, however, sees that she is competent enough to go to school.

A pair of circus clowns, played by Vlasta Burian and Jaroslav Marvan, take in an abandoned child and care for them even when they have to make a living as street musicians. The grateful foundling loves his adoptive parents even in adulthood, when he struggles with both love and stolen loot that accidentally falls into their laps. However, the result is only a crudely sentimental comedy that is considered one of the weakest works of the king of comedians, although he also participated in the direction.

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Irča Miňovská, the daughter of a car factory director, meets mechanic Lexa Hora by chance. They fall in love, but Irča's father does not want his daughter's unequal relationship and decides to send Irča to a boarding school so that she cannot see Lexa. Lexa leaves the plans for her new engine with her boyfriend Harry Peters at the factory, resigns, and leaves to forget about Irča. Director Miňovský would like to produce a new type of engine, but Lexa is nowhere to be found...

When the yacht of her former lover Mario Tudor arrives in Split, widowed Countess de Milesi, plagued by financial troubles, is hell-bent on selling him a fake copy of an expensive painting.

A wife, bored by her overweight slob of a husband, gives in to the temptation of a slickly seductive poet.

Folk song collector Dr. Šerk arrives in the remote village of Lesov. He is enchanted by the singing of sixteen-year-old Madla Satranová and he records her songs for radio broadcast. Šerk's friend, composer Jaroslav Klán, takes care of a group of orphans, from whom he has formed a choir. Šerk brings the orphaned Madla to him. The teenage girl begins to help the housewife Nána with the care of the children.