Auguste Prasch-Grevenberg

Dr. Mabuse and his organization of criminals are in the process of completing their latest scheme, a theft of information that will allow Mabuse to make huge profits on the stock exchange. Afterwards, Mabuse disguises himself and attends the Folies Bergères show, where Cara Carozza, the main attraction of the show, passes him information on Mabuse's next intended victim, the young millionaire Edgar Hull. Mabuse then uses psychic manipulation to lure Hull into a card game where he loses heavily. When Police Commissioner von Wenk begins an investigation of this mysterious crime spree, he has little to go on, and he needs to find someone who can help him.

This presentation of 'Waterloo', a film by Karl Grune about the last hurrah of Napoleon, is a fascinating companion to the Abel Gance epic 'Napoleon'. 'Waterloo' presents a tale of several people involved in the final battle. Napoleon and Wellington, of course, but also the Austrian general Blutcher (who is seen as a ladies' man - his scene with a flirty Countess about halfway through the film is priceless; as are his touching scenes with his plain wife (who he imagines to be a young and nubile girl when they get romantic) and some people within his regiment. Not simply a film of war, 'Waterloo' is a story of people, of lovers, of lost opportunities.

The four sailing school cadets Gerhard, Fritz, Kurt, and Christian are close friends; there's hardly anything they don't do together. But when the charming Gerhard begins a romance with Charlotte, his comrade Christian's childhood sweetheart, a shadow falls over their close bond. Then, when the four young men are involved in an accident during a nighttime trip on the school ship's pinnace, their friendship is put to another severe test. While three of them manage to raise the money for the repairs, Kurt, unable to contribute his share, lies to his comrades, claiming he has already put the money into the communal kitty.

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A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.

Silent epic on the final years of Frederick II.

Nuremberg durting the time of Albrecht Durer and the famous geographer Martin Behaim: the locksmith Peter Henlein is looking for a way to make bullets more accurate by designing a new form. Just as he welds together two round balls into an elongated shape, he believes he's discovered that his assistant Konrad is trying to alienate his wife from him. There is a struggle, during which Henlein's new kind of bullet strikes him in the chest. The doctor, unaware that there are two bullets lodged in his body, because there was only one shot, only removes one.

In order to punish her cold, brutal aristocratic husband for murdering her lover, a woman becomes a common prostitute to shame him.

Suddenly appearing in Florence, an evil seductress causes Cesare, the city's ruler, and his son to both fall madly in love with her. The son, killing his father before an order to torture the woman can be carried out, then turns the city's churches into dens of sexual debauchery. Acts of evil and corruption continue unabated until the arrival of Death, who brings with her a horrible plague which she is about to loose upon the city.

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The young Crown Princess Luise of Mecklenburg-Strelitz grows up sheltered in the North German countryside in the late 18th century and develops into a bit of a rebel. She struggles to come to terms with the rules of etiquette at court; her actions are often spontaneous and driven by emotion. Thus, she resists accepting her father’s mistress and future wife. During a ball, she snubs her future stepmother and even has the audacity to ask the orchestra to play a waltz—a dance considered deeply improper at the time.

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

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