Frank W. Smith

Set during the 1960s in the fictional North Yorkshire village of Aidensfield, this enduringly popular series interweaves crime and medical storylines.

The BBC's answer to Dynasty, Howards' Way was launched in 1985 with an enormous 1 million pound budget. The main characters in the show were 'best boat designer in the world' Tom Howard, his boutique running wife Jan Howard, 'I'll have a drink' Jack Rolfe and a nasty man called Ken Masters. It starred Maurice Colbourne.

Murder in Mind is a British television thriller drama anthology series of self-contained stories with a murderous theme seen from the perspective of the murderer.

Juliet Bravo was a drama that focused on two female police inspectors, neither of whom were called Juliet Bravo! These two inspectors worked in the small fictional town of Hartley, Lancashire. Jean Darblay was on the scene first and had trouble with her sexist colleagues. However she soon managed to gain their trust and prove a woman could be a successful police officer and housewife. Jean's call sign was Juliet Bravo. When she was promoted and moved on she was replaced by Kate Longton who not only took over the patch but also the headaches that went with it.

The Knock is a British television drama series, created by Anita Bronson and broadcast on ITV from 1994 to 2000, which portrayed the activities of customs officers from Her Majesty's Customs and Excise. The series derived its name from the distinctive 'knock knock knock' command used over the radio to synchronise a raid.

Trevor Chaplin teaches woodwork and likes to listen to jazz. Jill Swinburne teaches English and wants to help save the planet. Trevor tries to buy some jazz records but this leads to meeting a 'dazzlingly beautiful platinum blond'.

Follows the staff and patients of a Yorkshire cottage hospital in the 60s, embroiled in tangled love lives and bitter power struggles.

When Terry (Grantham) is sentenced to a twenty-year stretch for a murder he did not commit, his wife Sam (Dobson) discovers that his apparently respectable business life has in fact been a cover for a vast criminal empire - drugs, protection, armed robbery, he was involved in it all. After the initial shock of the discovery has passed, Sam finds herself faced with a clear problem: should she leave it all behind, forget Terry and start her life afresh, or should she take charge of the business in her husband's absence?