Acting
German director Claus Guth´s Mozart-Da Ponte trilogy was concluded at the 2009 Salzburg Festival with Cosí fan tutte featuring a starry cast including Miah Persson, Bo Skovhus, Isabel Leonard as well as Patricia Petibon. Adam Fischer conducts the Vienna Philharmonics. Those familiar with Claus Guth´s previous work such as the psychoanalytic Nozze di Figaro, the Don Giovanni set amongst junkies in a wood in the middle of the night, the Ariadne who commits suicide on Naxos, Richard Wagners Tristan in love with Mathilde Wesendonck and a Walküre set in a miniature dolls house will know better than to expect a bubbly Mozartian comedy.
To mark the 250th anniversary of Handel's death, Vienna's Theater an der Wien realized a truly extraordinary project: the staging of Messiah, the composer's most popular oratorio. Collaborating with an exquisite cast of singers, Claus Guth, one of today's highly renowned stage directors, delivered 'an emotionally and psychologically charged sequence of images. . . The audience was thrilled' (Suddeutsche Zeitung).
When Joseph Haydn completed his fourth and final oratorio at the beginning of 1801 the 69-year-old composer was famous throughout Europe. Born in 1732 as the son of a humble wheelwright, Haydn grew up in a rural, peasant environment. That such a child should make his way eventually to the position of court composer was an extremely rare occurrence. Even in his days at royal courts, however, Haydn still felt a close and intimate attachment to Nature and to life in the countryside. When Baron Gottfried van Swieten, then, presented to Hadyn a libretto on the theme of The Seasons, he found in the old composer a worthy partner in his own veneration for Nature.
Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, it breathes new life into the old man. A movie that captures the myth of the greatest seducer of all times, Casanova, his story is told both through fiction and on-stage opera performances that unravel the tale of his adventures, his passions, and ultimately his fear of death.
No description available.
The Seven Deadly Sins is satirical "ballet chanté" composed by Kurt Weill with lyrics by Bertolt Brecht written in 1933. The work critiques capitalism, weaves in popular music stylings of the era, and, through song and dance, tells a story of sin and revelation. The opera centers on the duality of the opera’s personae, Anna I and Anna II. She/They embark on a seven-city pursuit of the American dream. In turn, they uncover each of the seven deadly sins: pride, covetousness, lust, wrath, gluttony, envy, and sloth. Concert production at the Theaterakademie Mannheim, Germany.
This 2004 production of Richard Strauss's three-act comic opera Der Rosenkavalier (1911) emerged from the efforts of the Grosses Festspielhaus Salzburg. It stars Adrianne Pieczonka as Feldmarschallin, Franz Hawlata as Baron Ochs, Angelika Kirchschlager as Octavian and Franz Grundheber as Faninal. The Konzertvereinigung Wiener Staatsopernchor and the Wiener Philharmoniker lend added musical support, with Rupert Huber serving as chorus master of the former and Semyon Bychkov conducting the latter.
This release contains the celebrated 2006 production of Mozart's Nozze di Figaro that was directed for the stage by Claus Guth at that year's Salzburg Festival. Ildebrando D'Arcangelo takes the title role, and gets support from Anna Netrebko as Sussanna, Bo Skovhus as Il Conte Di Almaviva, and Dorothea Roschmann as La Contessa. Nikolaus Harnoncourt conducts the orchestra.
