Paulus Manker

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

After his handler is killed, police dog Rex teams up with recently-divorced inspector Richard Moser to investigate crimes and solve mysteries on the streets of Vienna. And they sometimes get help from their two-legged friend, Inspector Stockinger.

No description available.

No description available.

When a gruesomely staged body is found at the German-Austrian border, two detectives investigate. As the ritual-like murders continue, they enter the killer’s sinister world, set in the Alpine wilderness.

No description available.

No description available.

It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.

A 14-year-old video enthusiast obsessed with violent films decides to make one of his own and show it to his parents, with tragic results.

A series of events unfold like a chain reaction, all stemming from a minor event that brings the film's five characters together. Set in Paris, France, Anne is an actress whose boyfriend Georges photographs the war in Kosovo. Georges' brother, Jean, is looking for the entry code to Georges' apartment. These characters' lives interconnect with a Romanian immigrant and a deaf teacher.

A journey in the footsteps of this century's most famous artist's muse, the last femme fatale. Alma Mahler -Werfel was worshipped by an entire generation of artists: Gustav Mahler, Walter Gropius, Oskar Kokoschka and Franz Werfel.

A communist kangaroo moves in with an artist in Berlin.

When land surveyor K arrives at a small village that houses a castle, local authorities refuse to allow him to enter. As he tries to convince the officials that they sent for him, they clamp down with increasingly complicated bureaucratic obstacles.

This two-part drama examines the fate of the generation of Austrians which came of age after World War II. The first part, "Arcadia," depicts the generational gap between 1950s teenagers and their parents, while the second part, "Injuries," shows this same group of characters twenty years later as they have grown up to become dysfunctional and suicidal adults. Regarded as the most significant of Michael Haneke’s early works, "Lemmings" contains incipient treatments of many of the themes he would later elaborate on in his theatrical features.

Two amateur circus kids from a poor Ukrainian village, ten-year-old Barbu and his older sister Mimma, are sold to a circus artist called Caruso who promises them a career in the West.

In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the organ at the village church. After experiencing an "acoustic wonder", his eye color changes and he can hear even the most subtle sounds.

Genoveva’s 16th‐century Munich family is murdered and her home burned. Violated by masked killers, she vows vengeance. She turns to friend Ernst, unaware he aids her family’s traitors, and to Walpurga, whose true motives shock her. Can she still enact her revenge?

A German woman and a former French prisoner of war live in 1950s Germany. Instead of playing a role in rebuilding her country, the heroine remains preoccupied with her personal affairs.

Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

In the late 1960s, when the young Jewish businessman’s son Victor Dessauer fails to secure just punishment for the Nazi concentration camp commandant who tortured his parents, he resolves to take the law into his own hands.