Leci Brandão

A successful businesswoman in the music industry sees her life fall apart after a young and mysterious woman starts work as her secretary. The scheming girl is totally obsessed by the famous businesswoman and she tries to steal everything from her, including her career.

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Tony and his best friend, Ivy, decide to rob the bar where he works to steal a new drug that will take them on a journey to meet God.

Between scenes from his concert in São Paulo's oft-inaccessible Theatro Municipal, rapper and activist Emicida celebrates the rich legacy of Black Brazilian culture.

Through clippings, the film draws a narrative line between the construction of racism in Brazil and the United States, having as base the European invasion of the continent, police violence, the genocide of the black people, the massacre of indigenous peoples, religious violence, the criminalization of funk music, structural racism in art and education, the importance of quota policy and the need urgent historical repair as a commitment by the Brazilian state to the black people.

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Inspired by the US paper “Gay Sunshine”, in April of 1978 appeared in Brazil – during the dictatorship – the newspaper “O Lampião”, depicting the point of view of gays on various issues, including sexuality. A group of journalists and writers from Rio de Janeiro and São Paulo joined the project, fueling a publication that paved the way for the press at the time, addressing controversial issues at the period, such as racism, abortion, drugs and prostitution.

Leci Brandão is a pioneer of socially conscious music in Brazil. A samba singer, communist party activist and the second black deputy elected in the history of the Legislative Assembly of São Paulo, she transformed her life into a fight for more diversity. As she herself says, "samba is Brazil's identity card". Several personalities reflect on the importance of Leci, at 80 years of age and with 50 years of career, in building a Brazil with less hate and more opportunities.

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Record of the 1989 elections, when Brazil was divided between Lula and Fernando Collor. It brings together material gathered from the streets of São Paulo, television broadcasts, and support from artists like Djavan, Chico Buarque, Gilberto Gil, Lobão, and Leci Brandão. Additionally, it features footage of the marches and Lula's first interview after his electoral defeat. A work that recounts fragments of the struggle for democracy in the country.

Since samba emerged in Rio de Janeiro, the presence of women has been fundamental to its creation, maintenance and perpetuation to this day. Muses, pastors, aunts, composers, dancers, godmothers, carnival dancers, mulatas, performers and even as workers, they form a panel of colors, feelings and sounds in the representation of this culture. This film takes a brief look at the history of some of these women, honoring and recognizing their strength.

The life and work of the late samba singer-songwriter Candeia.

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In the Documentary The singer, composer, writer and bamba Martinho da Vila guides the viewer through the gigantic world of samba investigating the origins of the rhythm, highlighting its importance in different spheres, telling stories about his career and presenting his heart association, Grêmio Recreativo Samba School Unidos de Vila Isabel.

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