Kamau Wa Ndung'u

Mwas, a young aspiring actor from upcountry Kenya dreams of becoming an accomplished actor one day, and in pursuit of this, he makes his way to Nairobi, the city of opportunity. He quickly understands why Nairobi is nicknamed Nairrobery as he is bereaved of all his money and belongings and left alone in a city where he doesn’t know a soul. Luck or the lack of it brings Mwas face to face with the city’s criminals and forms a friendship with a small time crook who takes him in. He is quickly drawn into a world of crime as he struggles to pursue his dream of becoming an actor. Keeping the two worlds separate proves to be a challenge for Mwas as he steps into this unknown world called Nairobi.

Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull times are her dreams of being a superhero, which prove to be something her rebellious teenage sister Mwix, overprotective mother Kathryn and the entire village of Maweni think they can fulfill.

Ni Sisi tells the story of a typical Kenyan village, a harmonious muddle of tribes, intermarriages and extended families, in the context of post-election violence. The characters explore issues of corruption, political bribery, racism and gossip. Friends who have lived and worked together all their lives are consumed by rumors and mistrust. However, horrific consequences are avoided when the community pulls together to avert further violence. The hopeful and empowering message of Ni Sisi is one of personal responsibility; that both individuals and communities have the power to control what happens to them and that racist attitudes and negative stereotypes of other tribes can be overcome. Ni Sisi enables the audience to discuss the 2008 post election violence and understand the futility of violence.

The story of two brothers who travel to Nairobi to find work