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Boris, a young gamer, is sent to spend a few days in the countryside of Paraná with his grandfather Stanislau, the leader of a Ukrainian community. Their meeting reveals a clash between the digital world and tradition, giving rise to a transformative relationship about family, belonging, and true connection.
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From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.
Guto was born in a colony of Ukrainian immigrants in Paraná. He left his parents' home when he was just 11 years old. The family split up over cultural and religious issues. Thirty years later, he returns to his home village to reconnect with his past.
In 2011, I visited Mrs. Deni Prata Jardim, the last representative of the Casa das Minas (House of Minas) in Northern Brazil. Among other things, Deni told me the story of the foundation of the house, during the slavery period. Among the slaves, there was a priestess from Dahomey, where she used to be a queen, and worshiped African voodoos. Lacking authorization to practice their worship, the slaves hid in a shed, which has become over the years the House of Minas.
A Portuguese king who disappeared in the desert of Morocco in the sixteenth century comes forward. Under the threat of having to return to Portugal in the XXI century, Dom Sebastian reveals his whereabouts and the secrets of the kingdom he built over all these years in faraway Ilha de Lençóis in Northeastern Brazil.
There’s a myth that suggests the ghost of the 16th-century Portuguese king Don Sebastiaan founded a magical kingdom on the island of Lençóis off the Brazilian coast after his defeat against the Moors. Five centuries later, a young Portuguese woman (and a small film crew) arrives there. The island is still enchanting.
The widower João declares his loneliness on a radio program and meets Maria, a recently separated woman who yearns for a new life together.
Julieta rides her son's bicycle into the night. Her trip is interrupted by an attempted robbery, but she gets some help from a friend of her son.
Bolpebra, on the border of Bolivia, Peru, and Brazil, has 40 inhabitants and has just installed its central square.
Documentary that combines drawings made by a group of children and the stories they create to accompany them.
Pablo and Miguel, from Las Varillas, see each other after many years in La Cumbre when they are both on vacation with their partners. Secrets will come to light when Pablo's wife discovers why Miguel's presence bothers her husband so much.
In a preschool class at the outskirts of the city, children of four and five years-old draw and paint
