Franz Mosthav
Acting
Known For

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
Scene of the Crime

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.
Das Kriminalmuseum

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Die Karte mit dem Luchskopf

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Der Herr Kottnik

A story of the famous British train robbery from the 1960s, told from the view of the robbers.
Die Gentlemen bitten zur Kasse
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Unser Dorf

In the Bavarian village of Schladerbach, the kobold Hatschipuh and his comrades live, of whose existence only Grandpa Reiter is aware. When the building constructor Lederer builds himself a new mansion, the subterranean settlement of the kobolds gets destroyed, and Grandpa Reiter sees himself forced to move them into his barn. But this abode as well is soon threatened: Since the farm is no longer profitable, Father Reiter plans to sell it…
Hatschipuh
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Epitaph für einen König

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Haie an Bord
A frustrated Frankfurt innkeeper is recruited as an agent for the "Gehlen Organization" and after a short training period, during which he is familiarized with sophisticated espionage methods, he takes his first steps as a spy. When the really big assignment comes his way, he loses contact with his superiors.
Geheimagenten
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Herr S. kommt nicht zum Zuge
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Nachrichten aus der Provinz
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Anna Böckler
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Der Stumme
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Die Überführung

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Hau drauf, Kleiner
Three men plot to assassinate the dictator of their country, but their plan fails and one of them is captured and imprisoned. Even after considerable torture and interrogation, the revolutionary maintains his silence as to the names of his accomplices. Soon he is killed, though no one seems to know who is responsible for his death. Four years later another regime has been established, and a former inmate of the dead revolutionary finds himself in a position of power. He now intends to find out who was responsible for the man's death. After this German tale first took the form of a radio play and then a stage production, character actor Peter Carsten decided to produce this film version.
Die Zeit der Schuldlosen
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