Siro Angeli

When "Tamara" throws herself from the window of their brothel, her colleagues are made to realise that a new law will close down the source of their livelihood. The girls must now find honest work.

After leaving the reformatory where they spent their childhood, three boys begin their journey in life. The protagonist ends up becoming a criminal, but is finally redeemed by another of his former classmates, who has become a priest.

Directed by the incredibly prolific Mario Camerini, Suor Letizia was released in English-speaking regions as When Angels Don't Fly and The Awakening. In her first film appearance since The Rose Tattoo, Anna Magnani plays a feisty nun named Sister Letizia. Believing herself above such earthly trivialities as a maternal instinct, Sr. Letizia changes her way of thinking when an abandoned child is placed in her care. Unofficially adopting the boy, the good sister eventually comes to realize that even she cannot provide the care and guidance of a biological mother. Carefully constructed to accommodate all the surefire box-office elements inherent in Camerini's earlier films, Suor Letizia was almost guaranteed to be a hit.

Two young men from the Navy fall in love with an actress.

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Artist Pietro Leoni is preoccupied with feminine beauty. While walking near an old castle in Italy, he sees a young woman dive in the water from a rock and becomes determined to sculpt her from memory. He rents a house near the spot and falls in love with the mentally disturbed daughter, Francesca, of the castle's owner, W. C. Hutton, while becoming involved with her sister, Marisa unaware of her identity.

Inspired to the real story of the Carabiniere Salvo D'Acquisto. We see how, to save 22 hostages from dead sentence by Nazi, he decided to sacrifice himself.

A group of illegal immigrants find a job in a French mine and organizes strikes to improve their working condition.

Three jailbirds— a surgeon, a robber, and a wrongly convicted man— must adjust to their lives once released from prison.

An official, betrayed by his lady servant, joins musketeers such as Athos, while she turns into a countess and a spy that will eventually be executed.

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Christina of Sweden, in exile in Rome, takes a handsome Italian officer as her lover. But he is in love with the very young wife of an elderly count. After many adventures, duels, settling of old scores, the officer and the countess get married. Former Queen Christina finds herself another captain of the guard.

An engineer has a romance with the mistress of a rich banker but she sacrifices herself,returning to the rich man, for the best interests of the lover and his family.

In 1951, two years after the “scandal” of the Fiamma che non si spegne, Cottafavi got the opportunity to work on a film with a small production company, Novissima Film. With little means, a number of technical and financial problems and working Sundays with the pieces of film given to him bit by bit, Cottafavi shot Una donna ha ucciso, a minor film that marked his comeback to directing. (Gianni Rondolino)

The story of a peasant girl of fifteen, Mariute, who comes down from the Carnia mountains to the Friulian plains with her mother at the beginning of the summer.