Sound
August, 1980. Evandro Carreira, a Brazilian senator leaves his party's office in Manaus to visit his constituents in the state of Amazonas. Interviews with farmhands, loggers, explorer Paulo Lucena, Brazilian and Peruvian Indians and a representative of the National Indian Foundation (Funai) were recorded from the city of Benjamin Constant to the village of Cavalo Cocho. A visit to the indigenous village of the Ticunas and the lands of the Maiuruna people culminate with an interview and the actions of José Francisco da Cruz, a member of the Order of the Holy Cross. Throughout the trip, the economic potential of the Amazon and its problems (corruption in the indigenous policies and the pollution produced by factories) are shown.
A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.
Photographs present Hermeto Paschoal in the middle of the instruments he plays in the studio in his house. The rehearsals where the sounds are discovered and improvisation sets the tone. Hermeto's testimonies on the self-taught construction of his theoretical knowledge about music and his political position on the market. The musicians who are part of his band talk about the joint process of creation and the admiration they feel for the multi-instrumentalist. The creation of Hermetus from the sounds of bees and next to the frods. The use of unusual objects made of iron and the use of the body itself to generate new sounds.
At the height of the military dictatorship, an abandoned mansion in the center of SĂŁo Paulo is occupied by militants, hippies, maniacs, homosexuals, punks, artists and poets, as well as immigrants from different parts of the world.
No description available.
Documentary about the people who came from all over Brazil to work in the construction of the city of Brasilia, their stories, and the abuse and humiliation they suffered in the process.
Lambusca, a man from the State of ParaĂba, Brazil, goes to SĂŁo Paulo, looking for a job. But he ends up working for a group of fishy loan sharks, collecting money. In one of his visits, the debtor dies. The police then starts chasing him, believing he had murdered the man.
Based on interviews with married women, aged 20 to 40, from different social classes, the film portrays with a certain irony the hardships and the petty side of marriage. An actress plays five different women who, living in banal situations, reproduce multiple facets of subordination to the role of a good wife.
Jorge Bodanzy appeals to the emotional memories of the period he spent studying at the University of Brasilia to show us a tableau of youth in the 1960s, with their dreams and expectations, their hardships, and interrupted projects.
