Riccardo Fassi

It's an event that draws many thousands of music lovers to one of the most beautiful cities in the world every summer: the opera season at the ancient Arena di Verona. The 2,000-year-old roman amphiteatre with its gigantic stage dimensions is one of the largest and best preserved Roman construction of its kind, and with over 22,000 seats it is undoubtedly one of the most spectacular open-air venues of the world! The revered master of opera Franco Zeffirelli, who died shortly before the premiere of Il Trovatore, created a legendary scenery with groups of giant sized armoured knights, a fortress turning into a luminous cathedral, an enormous choir, horses, breathtaking fights: “his perhaps best arena production” (Opernglas). It brings Anna Netrebko to the Arena of Verona where she is giving her much-anticipated debut in one of Giuseppe Verdi’s most popular operas.

A psychiatrist tries to help a suicidal woman who despises her grown daughter.

Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe.

Dino feels inadequate in life and needs to be able to free himself of everything inside him. With the help of psychoanalysis and a priest friend he achieves his goal.

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