Herman Gilis

Undercover agents infiltrate a drug kingpin's operation by posing as a couple at the campground where he spends his weekends. Inspired by real events.

Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.

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When Belgian tech visionaries Luc and Geert learn that their fraud will hit the papers in less than 24 hours, they realise their company and their status will evaporate. With jail time becoming inevitable, they each go on their separate paths of redemption. As they quietly seek atonement from their investors – their families and the close-knit community, they learn what truly matters.

A sea captain makes a bet in a cafe with a friend that he will marry the first woman who walks in.

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Communications consultant Michael Bellicher is forced to become a fugitive when he is framed for the murder of a colleague and his identity is stolen.

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The discovery of a chopped-off hand in a Brussels canal forces Belgian police diver Kiki to face deep guilt from the past, her own and her country’s. Based on the book ‘Ritual’ by Mo Hayder.

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Following over two dozen different individuals in the almost wordless atmosphere of a dark night in a Brussels town, acceptance and rejection in the realm of romance is examined.

This melodramatic film follows Eline Vere, as she attempts to break free from the confines of her narrow existence in The Hague through three tumultuous and ultimately disastrous courtships. Adaptation of Louis Couperus' novel Eline Vere.

Somewhere in the near future, exists The Arena. Here men with an 'agression gene' with which they want to live no longer, are being admitted to fulfil their wish to die. Through fights to the death, televised by the commercial sportschannel, lives are being ended before one's time. Temmink, one of the gladiators, wins his first fight, finds a friend in a colleague and falls in love with one of the prostitutes. He becomes a national hero and loses his will to die. But, once admitted to the The Arena, there is no return...

Jeanne has been divorced for seven years now and her life is centered around Sarah, her fifteen year-old daughter. They appear to have a perfectly harmonious life together, a relationship based on deep mutual understanding and trust. So when Sarah needs a contraceptive, it's her mother who goes alone to the drugstore with her. However, under this idyllic surface there are tensions at work. Jeanne's on and off affair with Pierre does not save her from feeling lonely, and Sarah is bored by school. Both of them dream of an independent life, though neither will admit it.

Burdened with debt trauma, Mermans is murdered as the wife of Dingenen, a tired, unemployed man in his forties. All suspicions fall on him, but ultimately everything works out in this film adaptation of Aster Berkhof's novel of the same name.

Five people fight themselves more than each other, in this existence that's so beautiful and incredibly hard at the same time.

An inspector of the Antwerp criminal investigation unit faces problems not only in his professional life, but also at home. When he is partnered with a young, over-confident colleague, he loses control over the case in hand.

Antwerp. Someone is making a feature film. After shooting the scenes on location, the filmmaker wanders to the railway station. He's having difficulties with his material, it's a commissioned film. The story is giving him trouble too. But he cannot abandon the project. He now wants to introduce a male character so that he can explain his problems.

Thomas, in his forties, holds an important post in a slaughterhouse. He is engaged to Marie-Rose, the daughter of the director, whom he hopes to follow later. In a routine examination in the hospital, however, he finds out that he has cancer and his days are counted. The upheaval that he suffers as a result, however, does not take long, his decision is certain: he will use the short time to clean up some bad guys. What else can he do now?

A musical comedy. One God creates the world, the other destroys the creation and hopes to make a better job of it.