Brendan Woollard

A 35-year-old woman fakes being pregnant to fit in with her friends.

A sufferer of cystic fibrosis travels to a legendary shrine that reputedly has the power to heal his condition.

A young girl with a special gift comes of age during one of the most desolate periods in American history in this dark Dust Bowl fantasy inspired by Hans Christian Andersen's "The Little Mermaid."

In May 2006, filmmakers John Bolton and Errin Clutton were given eight days and eight hundred dollars to produce the made-for-television disaster film "Breakdown". Unfortunately, they spent the first seven days in casting. On the eighth day, they cut together "Breakdown" with the only footage they had - the video from the casting session. This is that film.

Sensationalized in the media as a high profile catfishing case involving an NBA superstar and an aspiring model, Shelly Chartier was portrayed as a master manipulator who used social media as her weapon. Through the sensitive and intelligent lens of Indigenous directors Lisa Jackson and Shane Belcourt, the sensationalism is swept aside to reveal something much more compelling and complex - the story of a young woman caught in historical circumstances beyond her control and how she struggles to rebuild her life after incarceration.

Delilah Miller is looking for an anchor in her life. She starts a romance with rock musician Ryland Yale, but soon it shows he can not be such an anchor - he's possessive, undependable and even a heroin addict.

In 1976, Canadian stuntman Ken Carter declared his intention to jump a mile over the St. Lawrence Seaway in a rocket powered car. In 2008, Canadian musician Mark Haney declared his intention to pay tribute to Ken Carter in the form of a concept album for solo double bass. In 2011, Canadian filmmaker John Bolton declared his intention to make a "musical docudrama" about both men. Aim for the Roses is a one-of-a-kind film, about a one-of-a-kind album, about a one-of-a-kind stunt, all three of which could only happen in Canada.