Sound
Recorded at the Musiektheater, Amsterdam on 21 & 25 January 2008. Performed by De Nederlandse Opera, composer Jean-Philippe Rameau's renowned tragedy "Castor et Pollux" tells the myth-based story of the selfless love between two brothers: Castor, who is mortal, and the immortal Pollux. When Castor dies trying to prevent the kidnapping of the woman he loves, Pollux decides to become mortal and replace his brother in the Underworld. Finnur Bjarnason, Henk Neven and Anna Maria Panzarella star.
Making full use of Drottningholm Theatre's unique 18th-century baroque theatre machinery, as well as his deep creative understanding of the profound drama of the work, stage director Pierre Audi creates a production of ZOROASTRE that completely accords with the spirit of Rameau. True to the form of the tragedie lyrique, choreographer Amir Hosseinpour's dances perfectly match the weight and meaning of both plot and music. The ensemble, Les Talens Lyriques, reinforced with musicians from the Drottningholm Court Theatre Orchestra and Chorus, is expertly and passionately led into the musical stratosphere by musical director Christophe Rousset. This intensely dramatic production is captured live in vibrant High Definition video and true surround sound.
Hidden away in the heart of the Château de Fontainebleau, the Théâtre de l’Impératrice Eugénie is one of the most secret treasures of this jewel of French heritage. Closed to the public, this exceptional venue is reopening its doors for a concert given by Les Talens Lyrique and soprano Marie Lys.
On the way to the Trojan War, the king of Mycenae killed a sacred doe belonging to Diana, an offense for which the goddess of war demands the sacrifice of the daughter of the leader of the Achaeans.
In search of an opera for his theatre, an impresario finds himself grappling with a group of egotists and jealous individuals. Based on a score by Florian Leopold Gassmann, this caustic satire of the 18th-century opera world is directed by Laurent Pelly. Starring Julie Fuchs as the prima donna.
Rameau, Beethoven, Gluck...: beneath the gilded ceilings of the Château de Fontainebleau, a varied musical program spanning the centuries and reflecting the influence of the women who left their mark on this exceptional place.
For the launch of its DVD collection, Alpha is joining forces with Christophe Roussets Les Talens Lyriques in Rameaus opera-ballet Les Indes galantes, his most famous work, here performed in its 1750 Toulouse version. Particularly rich both on the musical level and in atmosphere, scrutinizing love in far-off lands (Turkey, Peru, Persia and America), it responds to the infatuation with exoticism that tinged all the arts of the century. Rameaus dance music is always quite suggestive, evocative of a movement or a pictorial atmosphere. As for the staging, Laura Scozzi brings her contemporary vision to these countries and travels. Filmed at the Bordeaux National Opera, this production marked the Rameau celebrations in 2014 and was unanimously hailed by the international press
In Tamerlano, Handel defied rules both written and tacit—offering a main role to a mature tenor at a time when the castrato voice dominated; and not shying away from shocking scenes that other composers approached hesitantly, like suicide. Pierre Audi’s elegant, minimalist staging allows an all-star cast of singers to highlight the work’s many dramatic elements, proving that Baroque opera can still move and thrill us as it did 300 years ago!
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This production comes from the Dresden Music Festival of 2000. The stage director is Michael Hampe, who was behind the similarly excellent Schwetzingen Agrippina from 1985, also released on a EuroArts DVD (2054538). Hampe makes no attempt to put a miniature Persia on the stage of Dresden's Semperoper, nor does he imitate what Serse might have looked like in 1738. Instead, this is a fantasy Persia as it might have been imagined by 18th-century Europeans, but as it could have been realized only through modern stagecraft. The costuming is handsome, and the splendid sets are fluid and adaptable. As in his Agrippina, Hampe doesn't shortchange the opera's potential for comedy, but he shows restraint and resists the temptation to yuck it up or make it silly. It's really the best of both worlds.
Since the Bayreuth Baroque Opera Festival was founded in 2020, the city of Bayreuth has become a mecca for Baroque music. Sandrine Piau invites us to savour the frivolity of 18th-century Rome through cantatas with enchanting notes.
In the 18th century, Hamburg Opera broke free from the influence of Italy, giving rise to a new musical culture in Germany. Counter-tenor Max Emanuel Cenčić offers us a glimpse of this vibrant operatic life from the stage of the stunning Margravial Opera House in Bayreuth, accompanied by Christoph Rousset's Les Talens Lyriques. Chapters: - Reinhard Keiser - Georg Friedrich Haendel - Alessandro Scarlatti - Arcangelo Corelli - Johann Mattheson - Georg Philipp Telemann - Nicola Porpora
French version of Cherubini's opera staged in Brussels by Krzysztof Warlikowski
