Prem Narayan Arora

DO BHAI-1961 was a totally family drama of the routine type where there is a sacrificing soul and a selfish soul. In such films the story writer and the directors try every trick in their bags to make the women audience weep. Vishram Bedekar, who was once a hit director was now in his waning times and could not do much to lift the film above average. Babu Vishwanath dies leaving a will to give all wealth to his elder son Gopinath(Abhi Bhatta.).Gopi’s step mother Vimla(Durga Khote) loves Gopi more than her own vagabond son Shibu(Anil Kumar). Shibu is a gone case. Gopi and his wife Rukmini(Sulochana) also love Shibu but he is instigated by his Mama (Rajan Haksar) Kashinath and Shibu starts hating Gopi.

Udharchand Shikarpuri is a homeless man who lives in Bombay albeit under the roof of multi-millionaire Seth Kalidas, who six months away in his palatial house in Mussoorie. For the 4th time in his life, Udharchand 'moves' into Kalidas's Mansion along with his dog, Chicko. He meets and befriends two other homeless men, Raju and Vijay, and invites them to live with him. Shortly thereafter, one night the trio find that a female thief has broken into the mansion, they confront her, find out her name is Roopa, feel sorry for her, and invite her to also live with them. Subsequently, Raju's wife, Kiran, his son, and sister, Rita also move.

A Bollywood Sinbad film with effects work by Tsuburaya Productions.

Circa the Mughal Rule in the Persian Gulf, a noble man asks his soldiers to bring a man trustworthy enough to commit a crime. The soldiers go to the Chor Bazar, where they find a beggar-cum-thief, Yusuf Ustad, and bring him before the noble man. The noble man asks Yusuf to abduct and kill the child, who will be the future king. Greedy Yusuf accepts the offer, but is unable to kill the cherubic child, and ends up abducting him, leaving evidence in blood to show that the child has been killed. The young prince is thus brought on to the streets of this Chor Bazar where he will grow up, and be destined to spend the rest of his life as a thief and beggar.

A heartwarming tale of good-samaritanism: A poor but large-hearted young man gives shelter to three helpless, forlorn people in his home--an abandoned railway coach. However, tensions arise in the group when he marries one of the inmates, a destitute young girl, since one of the other inmates loves her too. The group breaks up and the coach is abandoned. Time passes, fortunes turn, and penitence brings the group back together.