Diego Vega Vidal

Through a portrait of this family, we witness the profound changes that have shaken Spanish society between the 1990s and the present, with the advent of the economic and political crises in the background.

Surrounded by social and political chaos in Lima during the summer of 1992, Lucia, Aurora, and their mother, Elena, plan to leave and seek opportunities in the United States. Their farewell involves reconnecting with their estranged father, Carlos, adding turbulence to the regrets, hopes, and fears of their emotional departure.

1986, Peru. Toño is an amateur singer, but above all, he is an impersonator of acclaimed salsa singer Héctor Lavoe. Toño has spent his entire life trying to meet his idol, he is very devoted to him and strongly believes that his songs were written for him. One day, Héctor Lavoe travels to Peru and Toño is about to make the impossible happen; he will meet him and finally break his streak of bad luck. An adventure that will involve meeting the President, sailing with mermaids, being surrounded by armed groups - So many obstacles, but it finally seems that it will be his lucky day.

Clemente, a moneylender of few words, is a new hope for Sofía, his single neighbor, devoted to the October worship of Our Lord of the Miracles. They're brought together over a new-born baby, fruit of Clemente's relationship with a prostitute who's nowhere to be found. While Clemente is looking for the girl's mother, Sofía cares for the baby and looks after the moneylender's house. With the arrival of these beings in his life, Clemente has the opportunity to reconsider his emotional relations with people

Constantino Zegarra is a principled Peruvian government official who stands apart from his corrupt colleagues. Throughout his two-decade career, he has steadfastly resisted corruption, driven by the memory of his father's impoverished end due to corruption. At forty, he is a dedicated family man with a teenage daughter who challenges his views. One morning, he survives a gunshot to the throat, rendering him mute. Upon recovery, he is certain that someone from his office attempted to kill him.

At age ten, Paolo asks his mother he wants to meet his father, an unknown soccer player who retired early due to an injury. The boy does not know it, but the reunion with his father and with his discipline, incites in him a change of character that will turn him into the professional soccer player that all Peruvians know well; the warrior, the fighter. Paolo with the help of his neighborhood friends and with all the support from his mother, manages to overcome obstacles and fulfill his dream.

Roberto, a Peruvian boy in his teens, has moved to Montreal to live with his father, Bob Montoya, and his new Canadian family. While Bob tries to succeed in his new life as a small time "business man", the ties with his son will be marked by a quiet violence that seems to have followed them from their country of origin.

This is the endless story about an old couple lost at the end of their last days. The Oldman seems a baby who just eats, sleeps and watches television. The Oldlady seems a mum who cooks, cleans and speaks to him. This old couple could live anywhere in the world. Their country is death. Their only world is a long wait. The Oldlady has taken control of both lives because she is in much better mental and physical conditions than him. Day after day the Oldlady plans and organizes different ways to kill themselves. But for the moment she is not shooting well. Days will keep following until a small mistake or the correct shoot end the sadness of this harsh wait.

Eleven award winning directors explore why nearly one out of every two students in Latin America never graduates high school.