Monte Brice

Dozens of star and character-actor cameos and a message about the Variety Club (a show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

The Fitch family is managing an apartment building when the grandfather of their adopted son Butch decides the family isn't worthy of raising his grandson.

Jack, a southern spy during the Civil War, must try to capture a shipment of gold. His task is complicated by the two sisters, Native Americans, and a firing squad.

A song plugger is stranded in a small town. There he meets a girl who later helps him to put on a show on Broadway.

A poor but honest sheet-music salesman is parted from his wealthy fiancée when she mistakenly comes to believe he’s nothing but a gold digger. But circumstance places him on the board of an exclusive girls’ school, where he can prove his integrity as well as his love. This film is believed lost.

A loose remake of the 1935 comedy of the same name. Thanks to the efforts of his social-climbing wife Jessie, furniture store employee Wilbur Todd is tossed headfirst into the world of small-town politics. Sized up as a patsy by crooked politician Kirkwood, poor Wilbur is plied with champagne as part of Kirkwood's scheme to land a sweetheart playground-equipment contract.

In this musical showcase, two aspiring stars attempt to wow a pair of talent scouts with their stellar abilities. Songs include "My Heart Isn't in It" (Jack Lawrence), "It's Love, Love, Love" (Mack David, Joan Whitney, Alex Kramer), "When They Ask about You" (Sammy Stept), "Jumpin' at the Jubilee" (Ben Carter, Mayes Marshall), "Taking Care of You" (Lou Brown, Harry Akst), "Where Am I Without You?" (Don Raye, Gene De Paul), "Two Hearts in the Dark" (Dave Franklin), "Somewhere This Side of Heaven," "Ezekiel Saw the Wheel."

In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” --Museum of Modern Art

Two actors who play detectives on the radio find themselves investigating a real crime masterminded by an arch-criminal named the Cobra.

"Stinky" Smith makes off with the prize money when his buddy, "Knockout" Hansen loses a fight with Percival "Sailor" Scruggs. Hansen pursues him him a U.S. Navt recruiting office, and, the next thing they know, both are in the Navy and aboard an overseas transport ship. Madelyn Phillips is on board and Scruggs is the the ship's Master-of-Arms. They overhear a mysterious conversation between Madelyn and the ship's radio officer. Later, Madelun induces the pair to take her off the ship and into a row boat. She disappears and they are picked up by a French ship, which sinks a German U-Boat. When the war ends they learn that Madelyn was an operative of the U.S. Secret Service.

Theatrical agent Waldo Main is inducted into the army, and turns his now clientless agency over to his secretary Dottie Duncan. Dottie decides to organize an all-girl orchestra to fill the void caused by so many orchestra members being called to service due to WWII, and joins struggling singers/songwriters Sally Richards and Sue Ford in this endeavor. Dottie's screwball schemes to get engagements for the group often lead to disaster.

Johnny, a racetrack tout in Tijuana, is unsuccessful in his gambling but leads his New England family to believe he is engaged in a legitimate business. He finally wins on a long shot and intends to return home, though he dislikes leaving his sweetheart, Norah Ryan.

Polly Brewster, a penniless Hollywood model/movie extra inherits one million dollars. But her new lawyer, Tom Hancock, informs her that she has to spend it all within 30 days to inherit $5 million more from her spiteful Uncle Ned Brewster who tries to prevent it from happening.

Shy sailor Casey Kirby suddenly becomes known as a sea wolf when his picture is taken with a famous actress. Things get complicated when bets are placed on his prowess with the ladies.

A Hollywood talent agency tries to avoid finacial ruin by getting its best clients on the air.

A Broadway producer is in a quandary when he discovers that the opening of his newest big production coincides with that of a major charity event. He despairs that the show will close after opening night until an ingenious writer suggests that he simply give the production snob-appeal by making the tickets nearly impossible to get by fabricating a story that they were all purchased by a flamboyant Texas oil baron who is totally besotted by the show's star.

Casey is a slovenly junk man in a turn of the twentieth century hick town who has a remarkable ability to play baseball. An unscrupulous New York scout signs him up, so Casey and his equally dishonest manager go to the big leagues. Eventually, the scout and manager conspire to get him drunk and bet against him for a crucial game with the pennant at stake.

A girl who works in a dance hall falls in love with a sailor, but he has the wrong idea of what it is she does and doesn't want anything to do with her.

Take a Chance was based on the hit Broadway musical of the same name, though only one of the original songs, Eadie Was a Lady, has been retained. The thinnish plot involves the misadventures of a pair of pickpockets, played on Broadway by Jack Haley and Sid Silvers and on film by James Dunn and Cliff “Ukelele Ike” Edwards.

A bizarre comedy short in which knockabout comics Charles O'Donnell and Jack Blair show up to repair a woman's house, but spend more time wrecking things and doing pratfalls. There's even a pantomime horse that causes trouble!