Sound
Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.
After 140 years, there are alternatives to an asylum. Leaving Romero closely follows the experience of deinstitutionalization, focusing on the lives of the users and those who are the driving force of this process: the young people who make up the Movement for Deinstitutionalization in Romero.
An old man drivesdriven around town trying to find a wick for his old heater during the long months of the Argentinean winter.
A series of recordings that Antoine de Saint-Exupéry sent to filmmaker Jean Renoir are the starting point for reconstructing the love affair that the French writer and aviator established with the "Argentine princesses" Edda and Suzzane Fuchs, protagonists of the chapter "Oasis" in his book Tierra de Hombre and inspiration for his masterpiece The Little Prince.
With her girlfriend lying comatose in the hospital, after having found her lifeless body in the bathtub, Clara starts the path of physical and psychological transformation with the goal of possessing her girlfriend again in some way.
No description available.
Negro is a dark film that portrays the light of its protagonist, Ortega, a meatpacking worker who finds in boxing the means to rebel against his boss's subservience. Ortega faces his last fight, the most important one, the one of honor, the one of life.
Lila, a young Korean-Argentinean girl, navigates the contradictions of her identity and tries to find her place in the world. Her father, Antonio, arrives in Latin America 18 years earlier, and decides to bet everything on the promise of a young immigrant's dream.
Her father drew and painted. He also created murals and recorded family life with a home camera. He was interested in the intersection of justice and beauty, in everything that enchants the passing of the day and in every event that politically shapes an era. He painted horror, mercy, and imagination; he drew diverse human figures with his brush, sometimes associating them with situations that provoke indignation at a world order that favors the few. This is how Melina Terribili portrays her father, Carlos Terribili, a prominent Buenos Aires artist whose murals, such as "The Grey Angel," epitomize his technique and ideology. Terribili uses diverse materials: those she filmed recently in excellent resolution and in the 1990s on video with lower resolution, as well as fragments filmed on Super-8 and video by her parents.
Above all, DelfĂn wants to participate in a Children's Orchestra that is forming in a neighboring city. This trip will mean an adventure for him, and also for his father.
A Japanese immigrant (Nicolas Nakayama) and a war veteran (Alejandro Awada) search for an exiled samurai in the mountains of Argentina.
Eva perceives herself differently. An unexpected event transforms her. Her female universe put under tension, sustaining the unsustainable in the family structure. From that night on, everything will be different for her, even if nothing changes.
A young artist must move with his mother to an island, where there are only one hundred inhabitants. Your imagination, harmony with nature and love will be the keys to finding your identity on this path to adulthood that you have to go through.
Pedro, the father of the family, overcome with wine, embarks on futile ventures. MarĂa, the mother, transformed into an apple farmer, can barely bear her burden. Her teenage children, Bebo and Sole, have the destiny of suburban youth, between mischief and tragedy.
In a small street in Brussels there is an unusual concentration of pianists: on one side, the house of Martha Argerich; on the other, that of the Tiempo-Lechners, four generations of pianistic prodigies. At just fourteen years old, Natasha Binder is the heir to a dynasty, her last great promise.
Julia is a hairdresser, owner of a remiserĂa, who goes out on a Sunday picnic with her family. The day does not propose anything different from her predictable daily life: the husband protests, the teenage daughter reads dance magazines and the son will be absent.
In a Buenos Aires movie theater, a group of strangers is trapped during a violent confrontation in the streets. While chaos reigns outside, fears, ideals, and secrets surface inside, and each person must face who they really are.
Argentinian sisters Elena and Natalia, who were separated, meet again in Texas in 1984.
