Rutkay Aziz

Bizimkiler (Ours, Our People) was a Turkish drama, represented the lives of the people shared the same neighborhood. It is one of the longest-running series in Turkish television drama history.

The life and times of rather traditional Sutcuoglu family and their comedic struggles to adapt the high-profile contemporary life of Nisantasi.

Yalan Dünya produced by Gülse Birsel and directed by Jale Atabey at 2012.

Centered around a life science class teacher, "Afet Hoca", the humorous and genuine story of high-school students in Ridvan Kanat High School.

This origin of the republic of Turkey. As İzmir celebrates victory, Latife Hanım’s admiration for Mustafa Kemal deepens while she hosts his mother, Zübeyde Hanım, in her home. Meanwhile, at Çankaya Mansion, the ailing Fikriye Hanım hides her worsening condition from Mustafa Kemal, only to be sent to a sanatorium as the War of Independence rages on.

Epic independence fight in 21st century. Turkish independence war against occupying forces (Greece, England, France, Italy) in her land.

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A woman is searching for a face in photographs taken by a photographer. The face she hopes to meet one day belongs to a watch repairman, but the shop has long since closed.

The film depicts the breakdown of a family that lost all its money to one of the Islamic investment companies that are very common in Europe. Metin invested all his money in one such company, JIMPA, and even convinced his close friends and family to do the same. This company, JIMPA, which had made grand promises, goes bankrupt after collecting the money, and its managers disappear. Many people who invested their money demand accountability from Metin. Like hundreds of thousands of other families who believed in such Islamic investment companies and invested their money, Metin's family has also lost all their savings in an instant. The journey Metin embarked on to resolve the situation would confront him with realities he never anticipated. Metin’s father-in-law, the Imam, warned him. In fact, the Imam seemed to know more than he was letting on.

A retired teacher and a very succesful female banker meets at a holiday resort incidentally. The woman is sick and tired of her workload/housework and his husband while the man has escaped from his monotonous lifestyle. He is up to settle in a village nearby where he thinks he will live his dream in solitude. While looking for a place to rent, they get close and fall in love with each other. But their lifestyles and characters are quite different.

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Two Turkish brothers find themselves on opposite sides of the political fence. When one of the brothers is murdered, the boys' father suspects that his surviving son was instrumental in the killing. Celebrated film director Elia Kazan returns to his acting roots in a key supporting role.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.

The story revolves around the beautiful Nazan, the neighbor's daughter, who manages to remain a virgin despite marrying two of the neighborhood's handsome men, Selami and Cavit; the fierce competition between Selami and Cavit for Nazan; the schemes orchestrated by Nazan's mother, Necla; and the neighbors' curious observation of these intriguing developments, their astonishment, and their simple reactions. Nazan's mother Necla's schemes; the neighbors' curious observation of these intriguing developments, their astonishment, and the sudden media attention their simple lives receive, all told in a humorous tone.

He is a boss who dedicates his life to grow up the textile empire he inherited from his father and does not hesitate to follow ruthless methods for it. He decides to choose a different life after a heavy traffic accident.