Ferhan Şensoy

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İşler Güçler, is a Turkish comedy series which first aired on 28 June 2012 on Star TV and tells the story of 3 actors, with the motto, Modern Muzip Yalanlar. Ahmet Kural, Murat Cemcir and Sadi Celil Cengiz shares the leading roles. Although rumour had it that it was going to be over at the end of the summer, the board of Star TV made an explanation that they would go on issuing it in the 2012−13 publication season, due to the interest their fans had shown

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The master of laziness takes a family man as his apprentice.

Kuddusi Yurdum, a minibus driver, competes in a TV quiz show to win a grand prize for his family. After narrowly missing the final question, they accept a consolation trip to Barbunya Island, where unexpected and funny adventures await.

What a Turkish lecturer from abroad will teach university students will not be limited to the school curriculum. Yet this new teacher is unassuming; he begins his first lesson by saying, “No one here needs this lesson.” However, when the students—and especially one of them—notice him, a whole new world opens up before them. As Ulaş learns about Saffet Hoca’s past, his life strangely intersects with Saffet Hoca’s.

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Based on a true event, Pardon tells the tragicomic story of three friends who end up in prison when they are mistaken as members of a terrorist organization. Ibrahim's fear of uniforms makes him runaway whenever he sees one. Because of this, police mistakes him with a terrorist and takes him and his friend Muzo into custody. Fooled by the police during the interrogation they name another friend, Aydin, in hope of saving themselves. As they all end up in prison, they remember the families and lovers they left behind.

The story of a couple who decide to divorce after 10 years of marriage and end up fighting on their last night together as they take stock of their past.

The love story of a handsome beach attendant with two young women, one rich and the other disabled.

A film on Haldun Taner, a respectable, democratic intellectual and a brilliant author of political essays, various genres and kinds of literary texts and especially theatre plays all of which have been a masterpiece in Turkey art history.

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Based on the life story of Karl Valentin, one of the few theater artists who was not banned in Germany during World War II, this play written by Ferhan Şensoy satirizes Germany from 1914 until Hitler's rise to power and Özal's Turkey during that period.

The Ottoman Empire through the eyes of an abstract sultan, who is unknown even to his own people, who always delegates his responsibilities to the wrong people around him due to his incompetence in state affairs, and who knows nothing about war.

Ferhan Şensoy and his team perform their play, which takes place inside a ship, from inside the same ship for their audience. Ferhan Şensoy, a true wordsmith, plays the captain, and the ship's crew returns from a long voyage and sets sail for Turkey. When they see the state of the country, they decide to turn back, saying, "Take it, it's yours." Deeply troubled by the public's tendency to accept every new crisis as normal, Şensoy remarks, "In another country, the people would rise up and protest, but here, such things do not occur," and in his "Audience Logbook," he critiques the nation's issues using the vernacular of the people.

The most distinctive feature of this Ferhan Şensoy play, which is performed in a much sharper language than what today's stand-up comedians describe as an interactive game, is that it takes place inside a ship...

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Metin Akpınar has not been on the theater stage since 1992. In addition to TV series and movies, new generations were able to meet him with Devekuşu Kabare's six plays that could be recorded. As if it was written today, those who watched had a taste of his unique acting in current plays. It was an acting that accompanied his talent and his intellectual background. "I'm Glad I Did", when transferring through the years Metin Akpinar he brought his own narrative, on the other hand, offers a different approach to Turkey's recent history, leaving an archive for the future by refreshing memory.

Istanbul, the darling of the world, is being sold before everyone's eyes. They are selling Istanbul together with the contractors, giving away one Istanbul for free for every Istanbul purchased. They are even selling its history. When Mimar Sinan comes to visit one day, he cannot find my beloved Istanbul in its place. He expresses his grievances about the mosques and houses he built being lost among the buildings, but to no avail—those who listen are still selling Istanbul. They are turning Taksim Park into a 50-story parking lot, Gülhane Park into a 30-story skyscraper, cemeteries into shopping centers, and waterfront mansions into 20-story apartment buildings, and they continue to sell Istanbul.

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