Mounir Margoum

Tense drama series about the different challenges faced by the British Security Service as they work against the clock to safeguard the nation. The title is a popular colloquialism for spies, and the series follows the work of a group of MI5 officers based at the service's Thames House headquarters, in a highly secure suite of offices known as The Grid.

The world’s top bodyguard gets a new client, a hitman who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.

Grieving and facing the consequences of their crimes, the Traoré brothers get one last chance to forge a new path.

When an Egyptian terrorism suspect "disappears" on a flight from Africa to Washington DC, his American wife and a CIA analyst find themselves caught up in a struggle to secure his release from a secret detention facility somewhere outside the US.

The intimate world of Saddam Hussein and his closest inner circle is in this gripping four-part drama that charts the rise and fall of one of the most significant political figures in recent history.

Enzo, 16, defies his bourgeois family’s expectations by starting a masonry apprenticeship, a path far removed from the prestigious life they had envisioned for him. In their chic villa in the sun-drenched South of France, tensions simmer as relentless questions and pressures weigh on Enzo’s future and dreams. On the construction sites, however, Vlad, a charismatic Ukrainian colleague, shakes up Enzo’s world and opens the door to unexpected possibilities.

Vincent works the night shift on the construction site of a futuristic district. When a worker goes missing, Vincent and his colleagues suspect that their superiors are covering up an accident. But soon another worker disappears.

No description available.

A divorced teacher suddenly becomes jealous of everyone, including her daughter, friends and neighbors.

A French adaptation of Anton Chekhov's play "The Seagull", staged by Arthur Nauzyciel.

Drama about a father and son who set out to find their missing daughter/sister with the help of an American headhunter.

A staging of Jean Racine's play "Bérénice" by Jean-Louis Martinelli.

Paris, spring 2015. Faustine travels to Syria with her little son to join ISIS; but, once in Raqqa, she soon realizes the hell she is gotten herself into. Her husband Sylvain quickly understands that the French government is powerless to help him, so he plans with some friends a high-risk extraction operation to get his family back.

On election night in 1981, celebrations spill out onto the street and there is an air of hope and change throughout Paris. But for Elisabeth, her marriage is coming to an end and she will now have to support herself and her two teenage children. She finds work at a late-night radio show and encounters a troubled teenager named Talulah whom she invites into her home.

Al, a young man from a modest background is about to marry his boss’ daughter, along with succeeding him as the head of a car dealership. One night, while coming back from his bachelor party, he is guilty of a hit-and-run accident, urged by his two childhood friends present in the car. The next day, gnawed with guilt, Al decides to inquire about his victim. What he does not know is that Juliette, a young woman, has witnessed the entire accident from her balcony.

A violinist looks to inspire his students at a challenging music school.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Pierre and Manon are poor. They make documentaries with nothing and they live by doing odd jobs. Pierre meets a young intern, Elisabeth, and she becomes his mistress. But Pierre will not leave Manon for Elisabeth; he wants to keep both.

Political rivals try to sabotage a new mayor and her eccentric plans for an underprivileged French municipality.

Frank Castorf has adapted Racine and combined this material with texts by Artaud. His art of theatrical and vital immoderation explores how, when it comes to this classical French author, the tragedy of existence is born from collusions between private passions and power.