
Mitsuko Yoshikawa
Acting
Biography
Mitsuko Yoshikawa (吉川 満子) (June 21, 1901 – August 8, 1991) was a Japanese actress. She debuted during the silent film era in 1926 and made her last film in 1984, which was Juzo Itami's The Funeral.
Known For

When Wabisuke's father-in-law unexpectedly dies, the family goes through a series of random events and occurrences as the funeral unfolds over three days in their home.
The Funeral

A story about the lives of four sisters and their manipulative mother who must come to terms with each of their decisions in life.
Four Sisters

A wealthy family will not allow the military to grow crops on their fields due to their superstitious beliefs about their son's illness.
The Living Magoroku

A carpenter, Shigetsugu, learns a lesson of love and humanity from five orphaned children and an affectionate woman named Oritsu. It's a winning combination of drama and humor. The warm friendship that grows between the carpenter, the woman and the children making this into a true masterpiece.
A Carpenter and Children

A friendly rivalry turns into romance for Yukiko, an elite female detective, and a handsome private eye named Mitamura while both are investigating the missing person's case from a wealthy family.
Detective Duel

Nabeshima Naoshige murders his lord, Ryuzoji Takafusa, seeking to gain power and steal his Lord’s wife. To avoid her fate, Lady Takafusa drowns herself along with her cat in a nearby marsh. A decade later, Naoshige’s efforts to steal another woman trigger a curse on him when she also commits suicide at the same marsh — forcing him to suffer the consequences of his past actions.
Bakeneko: A Vengeful Spirit

A rural widow sends her only son to Tokyo to receive a better education. Years later, she visits him and finds he has become a night school teacher struggling to support his wife and son.
The Only Son

Sayuri, a young woman born to a simple life on a farm, moves to Tokyo to pursue a life long dream of becoming a singer. Through dance, music, and songs, this story shows how a girl raised on a farm was able to make her dream a reality, with the love of those around her.
With Songs in My Heart

Just after WW2, a romance between an innkeeper and a man with tuberculosis unravels near a thermal spring.
Akitsu Hot Springs

A hard-hearted old woman in a bombed-out Tokyo neighborhood reluctantly takes in an abandoned boy, leading to a heartwarming bond between them.
Record of a Tenement Gentleman

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
Love, Be with Humanity: Part 2

Alongside Tokyo's Sumida River is a ragpickers' settlement known as Ant Village. One night, a young Catholic girl, Satoko Kitahara, who has been baptized under the name of Maria, comes to offer her services. However, Ant Village is not just an ordinary vagrants' community but a fine autonomous organization, and as the municipal authorities have long been demanding that the people of Ant Village leave the site, Satoko is utilized to publicize the Village and win public sympathy. While being utilized in this manner, Satoko is nevertheless glad to be able to help the people of Ant Village, especially the children, and when the summer vacation comes she decides to take the children on an excursion to Hakone. To raise funds for this purpose she becomes a rag-picker herself.
Maria of the Ant Village

Set in an old merchant house in Kyoto, the film traces the passing of an era through the story of a parent and child.
Talented Woman

Brothers Keiji and Ryoichi move to a new neighborhood in the Tokyo suburbs after their father, an office clerk, is promoted. The boys join the local gang as lowly new kids and emerge as natural leaders after defeating a bully. While visiting the home of their father's boss, the brothers witness the ridicule their father endures to please his superior. Angry and embarrassed, the boys find their naive ideas about power being challenged.
I Was Born, But...

A middle-aged father has just married off his third daughter, but still has his nine year old son to raise whom he resents as he was unwanted.
Burden of Life

Sheriff Goro goes undercover to investigate drug smugglers.
Outlaw Under a Blue Canopy

Hibari Misora plays Yoshiko, the popular daughter of a fish market owner. After discovering that she was adopted, she sets out to help her biological father who has fallen victim to an evil plot orchestrated by those who would take over his successful business.
A Fishwife's Tale

The three-hour Ai yo jinrui to tomo ni are / Love, Be with Humanity (1931) starts as a satire of alienation in the world of money, develops into a lumberland epic with a forest fire on Sakhalin Island, turns into a tragedy of King Lear dimensions, and manages to amaze the blasé audience with a happy end in the Wild West.
Love, Be with Humanity: Part 1

A professor, Komiya, and his bossy wife, Tokiko, are to look after Setsuko, their high-spirited niece from Osaka. Despite being a minor, Setsuko is a liberated woman who does whatever she wants, including smoking. She even convinces Koyima to take her to a geisha house. When she gets rather tipsy, the professor calls Okada, one of his students, to take her home. The wife becomes suspicious of Setsuko when she sees Okada bringing her home.
What Did the Lady Forget?

1962 Japanese movie