Writing
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In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.
Nico and Leo are getting married. Their entire family and both their exes are in attendance. Some of these are performing musical numbers on stage. But memories of the war and the fact that Leo's mother died in a concentration camp keeps coming to the forefront.
The characters from Leedvermaak have fared twelve years later. Lea's first husband, Alexander, makes a sequel to the wedding film and shows us the familiar characters and how they have fared. Dory, Nico's first wife, is pregnant. The father of the child is Simon, Lea's father. Nico has fallen into crisis and decides to resign as hospital director. He retreats to the farm where he hid during the war. Hans, Nico's best friend, is married to Pien. After fathering seven children, he flees this marriage. Nico's father, Zwart, increasingly isolates himself from the world; he reads and rereads the camp letters from his first wife.
A devoted yet stressed out housewife takes a holiday to relax, and falls in love with another woman: a guitar-playing hippie who lives in a commune.
Following 'Leedvermaak' (Schadenfreude) from 1989 and 'Qui vive' from 2001, the trilogy is now complete with 'Happy end'. Frans Weisz directed, Judith Herzberg wrote. A family history in which three generations of a Jewish family each struggle in their own way...
Television registration of the first solo program by the Dutch singer and comedian Jenny Arean. Recorded in het Nieuwe de la Mar Theater in Amsterdam.
Based on three stories by R.J. Peskens.
