Léonce Corne

In the 18th century, Louis de Bourguignon is working with the Malichot's gang, but their ways are too 'unethical' for him. He creates his own band, acting under the name of Cartouche, making audacious robberies of the rich people, and even distributing the takings with the poor. Thus, cartouche attracts the people's sympathies, Venus's love, and hate from the Police and Malichot... Cartouche can escape all the traps they set at him - except the entrapments of love. Eventually, he will be saved by a woman, at her own cost.

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A rich banker is actually a crook. His mistress, an alien, wants to become French and the only way is to marry a Frenchman.

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

Alexandre, a young and honest farmer, is oppressed by an authoritarian wife, who makes him work like a dog. When she dies in a car crash, he decides to stay in bed, absolutely free and inactive. Just a dog is occupied to carry food and newspapers to him.

A married tugboat captain falls for a woman he rescues from a sinking ship.

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

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François Cardinaud is one of the richest shipowners in the region. But this success arouses resentment and jealousy. When Marthe, his wife, leaves the home without warning, Cardinaud sees her life cracking little by little.

Pétepan learns that his money has been lost by Robinhoude brothers.He asks his assistants to withdraw his amount from the bank.

Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess.

A man is alone in Paris during the month of August while his woman and children go on vacation. He meets a young English girl posing as a model who came to Paris for a shoot.

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Suppose lost and found objects could talk... But they can! At least four of them... : -A statuette of Osiris remembers how two ex-lovers, a model and a good for nothing who claimed to be an Egyptologist, met again one Christmas Eve. -A violin has things to say about Raoul, a humble policeman who lost Solange, a widowed grocer he loved, to a god-dam seducing busker also named Raoul. -A scarf was witness to an eerie romance between a young madman and girl he had saved from suicide. -A funeral wreath lets us know how it caused a young woman to believe her lover dead. After having told their respective story, the objects return to their customary stillness.

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

The brother of a delinquent schoolboy falls in love with his teacher and intrigues to make him reciprocate her love, and succeeds.

Edmond Dantès, who was active in the resistance against the Nazis, is accused for being a Nazi collaborator and is imprisoned in the fortress of Sisteron.

An art dealer in dire straits, after being ripped off by two crooks, one of whom owns a genuine painting by Gauguin while the other is an expert copyist, finds them again and, instead of killing them as he originally intended, joins in their game – with ultimately disastrous results.

Cora, the wife of a wealthy Parisian businessman, Daniel, is involved in an affair with Henri, an unscrupulous garage mechanic who has set his sights on Cora's fortune. Daniel becomes suspicious and hires a detective to investigate, but the detective is unsuccessful in pinpointing Cora's extramarital activities.