Ramiro San Honorio

A city doctor changes her life while moving to the triple frontier to work in a hospital in the midst of the jungle and with scarce resources.

Three interconnected stories explore the complicated relationships of young, attractive Argentinian adults searching for true love

The first bioart narrative film. A transposition of War of the worlds in which the visuals are achieved by cultivating bacteria to follow certain patterns on petri dishes in a chemical oven. The narration evokes radio plays.

Eva and Lola are close friends. While Eva tries to cope with her past creating a fantasy life, Lola does not want to handle with the truth of her real identity. Two friends with different views of the same story.

Melkor is a rebellious demon who choses Buenos Aires to turn it into his personal hell by unleashing a demonic invasion. Zombies and demons walk the earth. All is chaos, fire, and death. The only one capable of stopping the hordes of the underworld is Cazador, but he only seems interested in drinking, eating, and fucking. To spark his interest the key will be Bussi the bear, his favorite plush toy. Based on the 90s comic.

The film tells the story of Bruno, who drives his motor scooter through the streets of Buenos Aires, making deliveries to the premises of "Extraordinary Objects" of his uncles. His friends wait for him to start the weekend but an unexpected accident with a relative changes his plans. Bruno starts a weekend of adventures, which will involve a scientist, a girl with unusual beauty, a group of aliens who love human flesh and an eccentric modern artist.

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

No description available.

Pampa in Patagonia. June 1982. A chance encounter between a mute Argentine man who isn't mute, a lying Chilean woman who tells the truth, and some terrifying but actually scared shitless English soldiers gives rise to a dramatic comedy that summarizes three opportunities—the same opportunities that Argentina, Chile, and England failed to take in June 1982.

A new super agent from the renowned security agency ACUARIO is in charge of a spectacular operation to prevent a robbery. In this action-packed and dangerous mission, he meets two inexperienced characters who will become his future partners. One is a young man supported by his parents who adores women, and the other is a carefree and optimistic hustler. All three fail in their first mission. A woman they were supposed to protect is kidnapped by a gang of criminal brothers, who complicate the super agents' lives at every turn. In a game of betrayal where nothing is as it seems, the new Shark, Dolphin, and Mojarrita will manage to solve the case and assert their new, unconditional friendship.

A making-of documentary about the bioart film Proyecto divergente. The first narrative bioart film starred by bacteria.

Throughout his 87 years, the anarchist historian, journalist and writer Osvaldo Bayer was one of the greatest exponents of a sustained commitment to his liberation struggles, illuminating the past so that the present and future are increasingly emancipatory. But, as this documentary by Gustavo Gzain demonstrates, using the past tense is difficult to describe the peaceful battles of Bayer, who is still an active defender of human rights.