Gillian Wallace Horvat

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.

A struggling filmmaker senses her peers are losing faith in her ability to succeed, so she decides to prove herself by finishing her last abandoned film and committing the perfect murder.

This visual essay, narrated by Anton Yelchin, focuses on the production history at High Noon. Included with the essay are plenty of very rare and archival promotional materials

In this new program, actors Beverly D'Angelo, Don Dacus, Ellen Foley, Annie Golden, John Savage, and Dorsey Wright recall how they became involved with Hair, what it was like to work under the direction of Milos Forman, and era in which the film emerged, and how it impacted their acting ambitions and careers. (Some of Mr. Savage's comments are very emotional).

Larry Ceplair, co-author of The Inquisition in Hollywood, and blacklisted screenwriter Walter Bernstein, a former member of the Communist Party, discuss the socio-political environment in Hollywood during the 1940s and 1950s, as well as unusual production history of "Johnny Guitar."

Historian Larry Ceplair and blacklisted screenwriter Walter Bernstein discuss the production history of High Noon, Carl Foreman's blacklisting, and the McCarthy era.

A nice guy discovers his dark side when his girlfriend reveals her secret weakness.

A branding intern loses the life he once had after an encounter with a mysterious blonde and her whiskey bottle... but gains something very special in return.

Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale take a closer look at the feminist overtones in "Johnny Guitar."

Critics Kent Jones, B. Ruby Rich, Joe McElhaney and Miriam Bale discuss the unique qualities of "Johnny Guitar," its lasting appeal and the influence the film had on some prominent directors during the years.

In this new program, James Mangold (Cop Land, 3:10 to Yuma) discusses the enormous impact Milos Forman had on his maturation as a filmmaker.

This two-part visual essay features the son of director Don Siegel, Kristoffer Tabori, who reads from his father book A Siegel Film. The bulk of the content addresses the production history of Invasion of the Body Snatchers.

in this new program, editors Lynzee Klingman and Stanley Warnow remember how they were given the opportunity to work on Hair and discuss the type of work they did to meet Milos Forman's requirements for the film.

Making of "The Witch Who Came From The Sea"

in this new program, production designer Stuart Wurtzel recalls his initial encounter with Milos Forman and their professional relationship during the production of Hair.

In this program, directors Larry Cohen (Special Effects) and Joe Dante recall their first experiences with Invasion of the Body Snatchers and discuss the unique qualities of the film's narrative, the lasting impact it had on generations of filmgoers and future filmmakers, and Jack Finney's novel.

Cinematographers Ben Kasulke and Sean Price Williams discuss their relationship to and the cinematography of Letter from an Unknown Woman. An extra on Olive Signature's Blu-Ray release of Letter from an Unknown Woman.

In this new program, choreographer Twyla Tharp remembers her collaboration with Milos Forman on Hair and explains how the entire project was put together.

A video essay on Bound featuring Jennifer Moorman and B. Ruby Rich

In this program, film scholar and author Matthew Bernstein discusses the life and unusual career of producer Walter Wanger, who greenlighted Invasion of the Body Snatchers.