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Mirosław Kijowicz

Directing

Biography

Mirosław Kijowicz was a Polish director, screenwriter, and set designer, renowned for his contributions to animated cinema. He was also a painter and a lecturer at the Łódź Film School and the University of Silesia. Kijowicz's work often explored the relationship between individuals and societal systems, employing simple yet profound narratives. Notable films include Cages (1966), The Blue Ball (1969), and The Water Babies (1978). His films are characterized by their minimalist style and deep philosophical undertones, contributing significantly to the development of Polish animation.

Known For

The Water Babies
6.3

Grimes, an amoral chimney sweep, occasionally likes to steal valuables from his clients. One day, on the verge of being caught, he frames his young apprentice, Tom, for the crime. Tom runs away and jumps into a river where, instead of drowning, he finds himself transformed into a mystical aquatic creature. Swimming and breathing effortlessly, he discovers a colorful underwater world replete with creatures both cruel and kind.

The Water Babies

1978
Science Fiction
N/A

Conquerors land on a newly discovered planet and try to colonize and explore a new discovered planet.

Science Fiction

1970
The Flag
N/A

A sly critique of the communist regime in Poland, one of the carefree participants disrupts a patriotic march by retrieving a collection of unnecessary "bourgeois" items from inside his head. It introduces the disunity in their ranks as everyone starts playing with objects brought by him.

The Flag

1965
The Blue Ball
10.0

A lonely man rolls a big blue ball. People encountered on the way do not help him. Night does not bring rest either, he has to chase away the birds. The man finally reaches the end of the road and pushes the ball into the sea. An animated parable created by Miroslaw Kijowicz, a director, scriptwriter of animated films, set designer and educator. An ordinary man was usually the protagonist of Kijowicz's philosophical short films. The situations presented in the films were rather general, they were supposed to provide food for thought.

The Blue Ball

1969
No image
N/A

Animated ballet etude presenting the conflict between dreams and reality.

The Harlequin

1960
Road
4.8

It is a philosophical parable about a man at the crossroads. He divides himself in two, as he cannot decide on the one way only. Each half follows its own path. When they meet again, they do not fit each other any longer. The journey changed them irreversibly.

Road

1971
Portraits
N/A

A group of mourners provide different portraits of a deceased man at a funeral.

Portraits

1964
Cages
6.1

An allegory of the hopeless relationship between a prisoner and his jailer, representing the dependence of mankind upon authoritarianism.

Cages

1967
Cabaret
N/A

A cruel human cabaret begins with a pushpin that pierces someone's tires, a hole in the fence through which a voyeur controls others, and a cannonball that leads to the end of the world.

Cabaret

1964
Mill
7.0

A chained man is freed by an accidental witness of the events.

Mill

1971
Wicker Basket
N/A

Allegorical animated short about the power of creation and destruction. An unknown man carries a wicker basket filled with elements resembling human figures. After their combination the small creatures are come to life. The creator tries to force them to listen. As a result of refusal, a conflict arises.

Wicker Basket

1967
No image
5.0

Delegates gather in a conference room. On the A side, people listen carefully and support the idea. On the B side, people grind their teeth, pout, frown.

A - B

1978
The Machine
5.2

An animated short film in which many men work many years on a machine which is revealed to be something very common.

The Machine

1961
Roundabout
8.0

A lonely, middle-aged man enjoys the “Życie Warszawy” newspaper with a cup of coffee. His thoughts fly out of the room, move over the tenement house like a balloon. The world is full of grey, middle-aged men like him.

Roundabout

1966
No image
N/A

A bitter reflection on the development of civilization.

Miasto

1963
From Acorns
N/A

City traffic is really smooth as long as everyone follows the rules. The protagonist crosses the road not on a zebra crossing, causing an accident. Such walks end in a prison cell.

From Acorns

1961
The Story of the Dragon
N/A

Krakow was plagued by a terrible dragon. Many tried to chase him away to no avail; finally a clever shoemaker appeared.

The Story of the Dragon

1962
Laterna Magica
N/A

The titular magic lantern is simple projection apparatus, invented several hundred years ago. In the animation, it appears as an object symbolizing the power of eyes and behind the scenes crimes.

Laterna Magica

1967
No image
N/A

A poetic metaphor about man's eternal pursuit of beauty.

Warianty

1970
Hand
N/A

A male figure on the screen is lost in thought. He hides his head in large hands clasped in the foreground. Suddenly, one hand moves towards the viewer and grabs a small figure from the other side of the screen.

Hand

1974