Tom Patrick Stephens

The third installment of the “Law & Order” franchise takes viewers deep into the minds of its criminals while following the intense psychological approaches the Major Case Squad uses to solve its crimes.

John Reese, former CIA paramilitary operative, is presumed dead and teams up with reclusive billionaire Finch to prevent violent crimes in New York City by initiating their own type of justice. With the special training that Reese has had in Covert Operations and Finch's genius software inventing mind, the two are a perfect match for the job that they have to complete. With the help of surveillance equipment, they work "outside the law" and get the right criminal behind bars. 

After years away from the CIA, Elizabeth McCord is pulled back into the political arena. The newly appointed Secretary of State is tough, fair, and smart, driving international diplomacy, wrangling office politics, and circumventing protocol as she negotiates global and domestic issues, both at the White House and at home.

Notorious serial killer Joe Carroll, after being found guilty of murdering 14 female students on the Virginia college campus where he taught literature, escapes from death row. The FBI calls former agent Ryan Hardy to consult on the case, as he was the one responsible for Carroll’s capture in 2003. Ryan, working closely with an FBI team, including Mike Weston and FBI Specialist Debra Parker, piece together the ever-growing web of murders orchestrated by the devious Carroll.

The mobster husbands of three 1978 Hell's Kitchen housewives are sent to prison by the FBI. Left with little but a sharp ax to grind, the ladies take the Irish mafia's matters into their own hands — proving unexpectedly adept at everything from running the rackets to taking out the competition… literally.

Photographer Barnard Jacobs is dying and Ashley, the woman he loves, won't admit her feelings for him. She's too wrapped up in her cocaine addiction and desire to find a wealthy husband. When fashionista Madeleine begs Barnard to call Ashley for drugs, a party develops. Madeline pairs off with a rich tech executive named Boccaccio. Barnard goes home, where Ashley, seeking peace and solitude, joins him. In flashback, Barnard recalls how his best friend Pickering hired him to take photos of women's eyes. He hired Ashley and the two forged a deep connection. Back in the present, Boccaccio and Madeleine do drugs and become removed from the world. As Barnard learns death is near, he reaches out to Ashley in a final attempt to save both of them.