Paul Faivre

18-year-old orphan Juliette's unbridled appetite for pleasure shakes up all of St Tropez; her sweet but naïve husband Michel endures beatings, insults, and mambo in his futile attempts to tame her wild ways.

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A great French restaurant's owner, Monsieur Septime, is thrust into intrigue and crime, when one of his famous guests disappears.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.

Armand, a boastful womaniser, makes a bet that he can seduce any girl he wants. He soon crosses paths with a beautiful Parisian divorcee, who is nothing like anyone he has ever met before.

Monsieur Bosquier, the owner of a private school, is far from pleased when his eldest son, Philippe, fails his end of year exams. He decides to send his wayward offspring to England to improve his English. In exchange, Philippe’s host, a wealthy whisky distiller, Mac Farrel, will send his daughter, Shirley, to live with the Bosquiers in France. However, Philippe has already decided to spend the summer holidays on a yacht with his friends, so he sends a fellow student, Michonnet, to England in his place. The deception is soon discovered but things go from bad to worse when Philippe and Shirley fall in love and fly to Scotland to get married...

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

During the colonial period in Algeria, Sergeant Bouvard helps Broussole and his two daughters, Alise and Julie, settle in Hassi Ben Okba. Demobilized, he plants vines with them. Seduced by Julie's charms, he nevertheless marries Alise because she owns the land. He protects Julie from all her lovers but cheats on Alise with Adèle, a settler's wife. Unable to bear it any longer, he runs away with Julie to Oran. The death of his father brings him back to Bou-Okba. He stays with Alise until the day when, selling his wine in Oran, he is taken over by his passion. It is Julie who will tell him to resume married life and start a family of settlers.

In a small French village, everything would be quiet if the local wildlife cop was not being ridiculed by a smart poacher.

Violeta, an Andalusian gypsy, foretells a lady she will become empress. The lady is Eugenia de Montijo, and when she marries emperor Luis Napoleón of France she takes the young girl with her. The empress'cousin readily makes her his focus of attention, then she discovers a criminal attempt against the empress.

A daydreaming French composer sees himself as a fine figure dashing through history.

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Portrait of a two-faced man. By day he is rich, brilliant and respectable financial officer Lussac; at night, he becomes "Mirror", a ruthless gang leader in Marseilles.

When Paul returns to claim his estranged father's department store, he faces a frosty stepmother and a rebellious half-sister. His determination revives the once-thriving Galeries Parisiennes, healing familial rifts, and leaving a lasting bond with wise Marie-Louise.

Juju, a drunken oaf who feels the need of being important to someone---anyone---and his friend The Artist are forced at gunpoint to house a fugitive, Pierre Barbier, in Juju's broken-down home. The urge for being needed is such in Juju that he gives up drinking and takes care of Pierre. But one day Juju finds out that Pierre has been making love to his girl Maria...

Elsa Lundenstein is accused of having murdered her lover. The jury discusses the case vividly. All members are somehow prejudiced because of personal life experience and subsequently each member reads something different into the presented facts.

A railway worker, Leguignon, and his wife are forced to move into a house located in a shaggy part of town. What Leguignon doesn't know is that a group of children have discovered a treasure and keeps it stored in the house. Trouble ensues when he discovers the cache and tries to claim it as his own.

Out of love for a beautiful passenger he met on a crossing, journalist Robert Vitrac agrees to deliver a letter to a man named Pablo. A dangerous mission, since the beautiful Manuela has had in her possession the proceeds of a robbery, which she must forward to the fence. In this game, Vitrac would lose his honor and perhaps his life if Inspector Berio's friendship didn't protect him. Manuela, who seemed sincerely in love with the journalist, falls victim to the bandits.

"La neige était sale" is based on a novel and play by the phenomenally prolific Georges Simenon. Upon learning that his mother was a prostitute, Frank (Daniel Gélin) dejectedly vows that he, too, will live a life of debauchery. Part of his self-degradation program is to kill someone, and since the story takes place during the Nazi occupation of France, he chooses a German officer as his victim. His steady descent into psychosis and depravity becomes his ultimate undoing.