Jude Swanberg

After his engagement ends badly, Josh decides to take advantage of his bachelor-party plans in Ojai, California, with the few friends still willing to join him. Focused on drugs and their own hangups, his self-absorbed friends refuse to confront the elephant in the room and ask Josh how he’s feeling. As welcome and unwelcome guests stop by, Josh will attempt to find some closure over this weekend with the guys.

Tim and Lee are married with a young child. The chance to stay at a fancy home in the Hollywood Hills is complicated by Tim's discovery of a bone and a rusty old gun in the yard. Tim is excited by the idea of a mystery, but Lee doesn't want him to dig any further, preferring that he focus on the family taxes, which he promised to do weeks ago. This disagreement sends them on separate and unexpected adventures over the course of a weekend, as Tim and his friends seek clues to the mystery while Lee searches for answers to the bigger questions of marriage and parenthood.

After a breakup with her boyfriend, a young woman moves in with her older brother, his wife, and their 2-year-old son.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

A gambling addict faces a conflict when entrusted with keeping a bunch of money that isn't his.

In a desperate search to create a follow-up to Joe Swanberg's 2011 film Uncle Kent, Kent Osborne travels to a comic book convention in San Diego where he loses his mind and confronts the end of the world.

Emily and Andrew, a young couple living in Memphis, agree to babysit their friend’s 6-month-old for a day. The experience causes them to examine their own relationship and their feelings about marriage and children.

The products of the human brain appear as autonomous figures endowed with a life of their own, which enter into relations, both with each other and with the human race. So it is in the world of commodities with the products of men's hands. I call this the fetishism which attaches itself to the products of labour as soon as they are produced as commodities. It is nothing but the definite social relation, between men, themselves, which assumes here, for them, the fantastic form of a relation between goldfish crackers, haunted furniture, and poop.