Kattia G. Zúñiga

Summer vacation. Two sisters, Marina (17) and Luna (14), travel from Costa Rica to Panama to look for their absent father. While dealing with frictions that arise between them, they find space to explore their desires, new friendships, lovers, and skateboarding, on a journey toward emancipation where they discover the joy of the simple act of hanging out.

After meeting at a party, Luciana and Pedro... embark on a spur of the moment journey together that takes them to the forest. Asthey explore the beauty in the nature that surrounds them, they camp out under the stars, go on hikes, indulge in the passions of their encounter, and discuss their personal beliefs surrounding love, obligations, and attraction. Lensed in lush black-and-white cinematography amidst the gorgeous backdrop of the Costa Rican forest, an honest and genuine relationship story unfolds, lending a feeling of realism to their storybook romance in a refreshing and youthful way.

Thoughtfully, lovingly, Aurora tells the story of an unwanted pregnancy. Alongside her work as an architect, 40-year-old Luisa gives inspirational creative workshops to children. One day, she comes across 17-year-old Julia by the school toilets; it turns out she has unintentionally become pregnant. Luisa decides to help her – in the process manoeuvring herself into a difficult position somewhere between friend, teacher and mother figure. Or does she secretly enjoy playing this role?

Puerto Limon, Costa Rica, 1948. Four days before Christmas, Setico a 12-year-old boy must take a train in search of his father. A trip that will reveal the forgotten memories of this banana enclave and the murder of six political prisoners in a place known as Devil's Elbow.

Luisa and Antonio surrender to the game of keeping tricks up their sleeves, of disagreements and reconciliations. Luisa follows with curiosity the thread of the words while Antonio imagines a movie inhabited by Elsa and Miguel: some fictional characters blurred in the middle of a deep sentimental crisis; a he and a she confused and lost in the rainy labyrinth that sometimes we call love.

No description available.

A 35 year old Chilean exiled mom reconnects an old college love through Facebook, that moments sets dilemma: she might turn into the woman she swore she will never be: her mother.

Nina and Laura are a couple whose four year-old son Mateo has just died. Laura moves back to Chile seeking the comfort of her family while Nina, intending to reunite with her shortly, is left to tie up loose ends at home: storing Mateo's things and renting out their house. 'What a big space such a little body can fill, what a massive abyss there is now between your mom and me'.