Vasco Sá
Directing
Known For

A shoemaker wrapped up in memories of his life and the demands of his job, experiences a crucial moment in his existence. We accompany him through an enormous day in his life which will determine his future.
The Shoemaker

It’s like soot that rests on the walls of our head. We can’t see it. It belongs there already.
Soot

With the sea and urban Algarve as the backdrop, we follow a complete life cycle of a special shellfish called percebes, the goose barnacle.
Percebes

The character in red is contained in a web of repeated and interlocking actions of her routine. However, the yearn to free herself from automatisms and frustrations grows stronger and louder. From the inside to the outside, from the mechanical to the spontaneous, one character becomes several. They explore the possibilities of doing without thinking.
The Hours

During a harsh winter, a river by the house of two cousins freezes over. In the cold wind, their relationship grows bitter, reaching its limits.
Augur

A Garrano horse is forced to pull a heavy load under the sun's blazing heat. The young boy, Joel, discovers a man who is about to set the forest on fire.
Garrano

Carrotrope is a new optical toy. It represents the cyclic movements of life. Meanwhile, a man drinks and the time passes at 24 frames per second.
Carrotrope

The last habitants of a village refuse to let themselves sink into oblivion.
Drop by Drop

The pieces silently start gathering into the room, while the giants, unaware, keep living their macabre routines.
De Imperio

This is the story of a sixty day long walk in Cape Verde. No mobile phone, no watch, no plans for what to do next – only the bare essentials in the backpack. Out traveller explores the mountains, the villages, the sea, a talking tortoise, the goats, the music, the dry haze, the people of Cape Verde and an essential part of himself.