Nurith Aviv

When ten-year-old Aya is left at a kibbutz where children are housed by age instead of gender, not only does she have to get used to dealing with a lot of children, making friends and enemies, she also has to get used to sharing her room with boys... and sharing the showers with them too.

The intertwined lives of two women in 1970s France, set against the progress of the women's movement in which Agnes Varda was involved. Pomme and Suzanne meet when Pomme helps Suzanne obtain an abortion after a third pregnancy which she cannot afford. They lose contact but meet again ten years later. Pomme has become an unconventional singer, Suzanne a serious community worker - despite the contrast they remain friends and share in the various dramas of each others' lives, in the process affirming their different female identities.

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.

Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

After separating from the father of her son, a young French woman tries to find lodging and a fresh start in L.A. for herself and her son.

An intimate portrait of the small shops and shopkeepers of the Rue Daguerre in Paris, a picturesque street that has been the filmmaker’s home for more than 50 years.

A devoted yet stressed out housewife takes a holiday to relax, and falls in love with another woman: a guitar-playing hippie who lives in a commune.

Vannina and Giacinto are a young married couple who live their relationship in an unequal way; while the girl is submissive to the will of her husband Giacinto, he sees in his bride only the personal object of his sexual satisfaction.

Based on documents compiled by leading French philosopher Michel Foucault, this unique and original film charts the gruesome events which took place in a Normandy village in 1835, when a young man, Pierre Rivière, murdered his mother, sister and brother before fleeing to the countryside. With a cast made up of real-life villagers from the area where the events took place, the detailed re-enactments and careful attention to the gestures of their ancestors serve to create an intense and sometimes disturbing atmosphere of hyper-realism. Details of the crime and of the trial that followed are told from varied perspectives, including the written confession of Pierre himself, and form a rich and complex narrative that interrogates the concepts of “truth” and “history”.

Japan, 1986. At the tail end of the world tour promoting their latest album Revenge, Eurythmics tops the charts. Between concerts, pop duo Annie Lennox and Dave Stewart survey Japan's cultural soundscape with the help of Conny Plank: A world of sounds both brutally technological and highly refined by tradition.

A documentary film about the Mizrahim, or Jewish community of Iraq.

Roland-Garros, 1981: For the very first time, a documentary team is allowed to shoot sequences in the backstage of the French Open of tennis of Roland-Garros. William Klein's camera takes us on the heels of the greatest players of the time: Björn Borg, Jimmy Connors, Ivan Lendl, Chris Evert-Lloyd, John McEnroe, Martina Navratilova, Yannick Noah, Guillermo Vilas... Miles of film. Historical pictures, a thousand and one details, a thousand and one unusual scenes. A declaration of love from a tennis lover.

An Iranian man and a French woman stroll around the city of Isfahan, Iran and find that their love is mirrored perfectly in the architecture and mosaics of the city's mosques.

Atalia is a 40-year-old widow who lost her husband in the Six-Day War and lives on a kibbutz with her adolescent daughter. Lonely and feeling outcast, she enters into a forbidden affair with her daughter's classmate, Matti, an idealistic 19-year-old rejected by the army.

Ahasverus, king of Persia and Media, puts aside Vashti and makes Esther his queen, choosing her among maidens in a kingdom stretching from India to Ethiopia. Esther, using information from Mordecai, her uncle and patron, saves the king from assassination. Haman, the king's favorite, is miffed when Mordecai won't bow to him, so he orders death to all Jews in the kingdom, under the seal of the king. Esther pleads for her people, and Mordecai is in turn given license to make his own edict under the king's seal. Mordecai loses sight of his original intention, and bloody murder ensues. Purim annually celebrates the story. At the end of the film, the actors comment.

Explores the relationship between an eleven-year-old daughter and her ailing mother, who is losing a grasp of reality in the surrounding environment of insensitivity and cruelty.

Who is Milena whose arrival is announced to Sophie and Nicolas by postcard? The train from Prague brings for three weeks, the time of a visa, this young Czech and his bag stuffed with forbidden texts, marginal films and music. She will strive to make them known with the help of her new friends.

Anna and Edith are colleagues at an insurance company. Their male chef uses the women's business success to his own advances. Anna's husband would prefer her to be at home. Anna and Edith become a couple, but it doesn't end with a romantic rendez-vous. Together, and with the help of their female colleagues, they want to improve their work conditions.