Martina Müller

Employees remember the director Max Ophüls, who was forced to emigrate in 1933 - his fifth film "Liebelei" was a great success in cinemas. After an odyssey through France, Italy, the Netherlands and the USA, he returned to work in France and Germany in the 1950s. The film commemorates Ophüls, who died in 1957 at the age of 54, and uses a series of film examples to demonstrate his special way of directing.

In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...

Documentary on American film director Jim Jarmusch made for German television. featuring interviews with cast and crew from 𝘚𝘵𝘳𝘢𝘯𝘨𝘦𝘳 𝘛𝘩𝘢𝘯 𝘗𝘢𝘳𝘢𝘥𝘪𝘴𝘦 and 𝘗𝘦𝘳𝘮𝘢𝘯𝘦𝘯𝘵 𝘝𝘢𝘤𝘢𝘵𝘪𝘰𝘯.

In an archival interview filmed in 1989, Robert Christidès discusses his work on Max Ophuls' 1952 film LE PLAISIR.

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In an archival interview filmed in 1989, Daniel Gélin discusses his work on Max Ophuls' 1952 film LE PLAISIR.

Archival interview with the co-writer of Max Ophuls' 1953 film THE EARRINGS OF MADAME DE...

In an archival interview filmed in 1989, Tony Aboyantz discusses his work on Max Ophuls' 1952 film LE PLAISIR.

Archival interview with Marc Frédérix about his work on Max Ophuls' 1953 film THE EARRINGS OF MADAME DE...

A documentary including archival footage of a 1989 interview with actor Daniel Gélin about his experiences working on Max Ophuls' 1950 film LA RONDE.