
Carlos Adriano
Directing
Known For

"Proust Palimpsesto: Pastiches e Misturas" (2026) is a Brazilian experimental documentary and film essay directed by Carlos Adriano. The film, which explores the impossibility of filming Marcel Proust's "In Search of Time That Flew", is presented as a collage of archival images and theories.
Proust Palimpsesto: Pastiches e Misturas

Cinepoem about the current Palestinian tragedy, with Brazilian films from 1922 and 1932 (the indigenous catastrophe), documentaries from 2023/2024, essays by Jean-Luc Godard, Hani Jawharieh and Mustafa Abu Ali, statements by Edgar Morin and Noam Chomsky, and a poem by Mahmud Darwich.
Os Mortos ResistirĂŁo Para Sempre

No description available.
Untitled # 7 : Rare

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Sem TĂtulo # 10: Ao Redor do Amor

The documentary’s starting point is the discovery and restoration of a rare and unknown photography reel reproduced from a mutoscope film, made in 1901 in London, about Santos Dumont (1873 – 1932). The work approaches historic and artistic aspects from the beginning of Cinema (pre cinema, variety film) and a cinema that appropriates archive material (found footage, recycled films), through interviews, documents, visual metaphors and the articulation of a poetic essay.
Santos Dumont: Pré-Cineasta?

No description available.
Mar Aéreo: Ondas de Voo

Burnings of a family home (by farmer security guards; September 2021) and a prayer house (by members of a Pentecostal church; December 2021), recordings on video by the Guarani Kaiowá people.
Tekoha: Images fallen from a state scandal - Long Live the Struggle of the Indigenous People
Experimental film using signs as montage
A Luz das Palavras

It rains; but still, it sings. Under the symbolic motto of the meteorological metaphor, a poetic constellation of edited "found footage" with excerpts of 99 films and 8 versions of a song. From the series "Notes for a Self-Biopic (in Regress)".
Untitled #4: In Spite of Ruin, Sing in the Rain
An avant-garde film crafted from archival footage of Brazilian writer Monteiro Lobato.
Porviroscopio

Experimental Short, Brazil
Sem TĂtulo #1: Dance of Leitfossil

On March 16, 2020, in BrasĂlia, an anonymous and unknown Haitian challenged the head of the nation: “Bolsonaro, it’s over. You are not president anymore.” This film poem counterpoints this situation with two military operations of Minustah (United Nations Stabilization Mission in Haiti), commanded by Brazil, on july 6, 2005, and december 22, 2006, in CitĂ© Soleil.
brazil is thee haiti is (t)here

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Suspens

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Sem TĂtulo # 3 : E para que Poetas em Tempo de Pobreza?
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Das RuĂnas a RexistĂŞncia

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Sem TĂtulo # 11: Um Analecto Ă Mula

Film poem based on the theses “On the concept of history” (1940) by Walter Benjamin. Brazilian indigenous peoples in records from 1917 and 1922 and in anti-fascist demonstrations from 2022; the Palestinian cause in 1948 and in 2022; shots against the clock fired by French revolutionaries in July 1830 and arrows against the clock (commemorating the 500th anniversary of discovery) fired by the original Brazilian peoples in April 2000.
The Historical Materialism of the Arrow Against the Clock

On September 6, 2021, private security guards burned down a Guarani Kaiowá house at the Ava'te Tekoha ("place for living the culture") in the Dourados Indigenous Reserve in Mato Grosso do Sul. The act was captured on video by the Guarani Kaiowá.
Tekoha

No description available.
Festejo Muito Pessoal

Coleridge's flower in the garden of the paths that fork from Borges. Paper and film flowers; fossil flowers. "Panorama of all the flowers of speech" (Joyce), a "flower full of the real, of the current" (Wallace Stevens).